Music is deeply tied up with motion; seeing that in a machine is somehow satisfying. Soundmachines, from the enigmatically-titled Berlin studio TheProduct*, is an interactive physical installation made from optical turntables. By moving the “tone arm” – really in this case an optical sensor attached to an extended mount – you can change rhythms and […]
Music
Peak 90s Opcode in a Vision training tape, NIN music video
Motion Music Music tech Tech November 4, 2024
Quincy Jones in four essential interviews
Music November 4, 2024
Will it Blend: Blendy for Mac Makes Your Multi-Projector Setup Slick and Seamless
We’ve seen lots of fancy projection maps, sculptural creations, and elaborate architectural facades. But sometimes, you just want to get rid of those awful seams when using a couple of projectors. And that can make all the difference. Enter Blendy. This friendly, simple Mac tool sits between two visual applications and gets rid of those […]
Curating Sound: Exploring Performance and Embodiment, in Live Excerpts and Analysis from BodyControlled
Continuing our insight into this view into electronic music performance and art through the lens of BodyControlled in Berlin, we’re joined by guest writer Kristin Trethewey. Kristin, a Canadian-born video artist and curator, takes another look at LEAP and BodyControlled, on the eve of its second installment. She gets straight at the question of what […]
Dynamic, Morphing Type, Generated in vvvv
With a nod to the forms and shapes of analog-generated imagery, but fully digital, here’s another digital type project. Buchstabengewitter (perhaps translated “Letterstorm”), by Ingo Italic, uses generative patching to imagine type that emerges from three-dimensional clouds of geometry. It comes to us from the research laboratory at Letters are my Friend, the Berlin type […]
Modulating Type with Synthesizer Knobs: Meek FM, Revisited
True to their roots in metal, stone, and wood, typography is generally imagined to be fixed in place. It’s hardly the sort of thing you’d imagine transforming in time, the way you would a musical utterance. Yet the Meek FM Typographic Synthesizer defies that convention. The 2007 project, designed by Rob Meek and Frank Müller, […]
Watch Artists Talk About Making Sound From Matter; Thursday Event and Stream in Transmediale Prelude
Alex Nowitz for BodyControlled #2 from CDM on Vimeo. Electronic media artist Mario de Vega (Mexico City/Berlin) says his work plays with the creation of “unstable systems.” As part of the official Vorspiel, or lead-up, to Berlin’s massive Transmediale festival, here we get to visit two artists working with the materiality of live performance, drawing […]
Jer Thorp on Data as a Medium, in Full Talk from a Visualization Artist
“Wayne Gretzky and Spiderman are at the door, and they brought cake!” Speaking to the Eyeo visualization festival in Minneapolis, digital artist and designer Jer Thorp (aka blprnt) shows what’s possible with visualization and data as a medium. As the Data Artist in Residence at The New York Times and teacher at NYU’s ITP, he […]
Music Making, and Living, with The Books’ Nick Zammuto, in a Touching Short Film
When we say “handmade music,” we really mean this sense of crafting something , of touching something – not so much the technique or the technology as the intention behind what you do. In a striking film portrait of Nick Zammuto for nakedmusicians.com, the craft of living is spotlighted as much as the craft of […]
Monolake Explains Great Mastering Technique in 44 Seconds
At last, you, too, can achieve great mastering. Mastering – a step by step guide to good sound by monolake Sadly, as Robert Henke concedes: i still think it needs to be louder and it lacks dynamics and punch. I STILL THINK IT NEEDS TO BE LOUDER AND IT LACKS DYNAMICS AND PUNCH! It’s like […]
The Best New Stuff from NAMM, in Videos: Akai, Arturia, Livid, Moog, Smithson-Martin, Teenage Engineering
Can I have this fun, wacky, sound-shaping Arturia monosynth and the new Moog Minitaur, please? Actually, at their prices, you really could – and still spend less than the cost of a lot of standalone synths. There’s lots of new stuff for musicians. Sometimes, the best thing to do is to leave some of it […]