LDN24 from FIELD on Vimeo. My experience of London tomorrow will be somewhat “virtual,” as I spend a few hours on a layover at Heathrow. For a more artistic reinterpretation of the data that’s bound up with one of the world’s great cities, though, here’s a terrific installation: LDN24 is a public art installation for […]

The Apple iPad has terrific, responsive multi-touch input, but for many, using it to control music would mean carrying an iPad and a computer. That’s a cheaper combination than using a JazzMutant Lemur with a computer, but it’s still two pieces. With a number of PCs gradually adding touch capabilities, it seems inevitable that integrated […]

SenseWall (preliminary) from Tiago Serra on Vimeo. Multi-touch walls have been a closely-guarded novelty, but they’re evolving into something else: a real, usable platform that focuses on content and not just gimmicks. In the process, a hard-working community is building richer, standards-based, cross-platform, free and open source tools. The result: faster iteration, broader access of […]

As the iPad hits Europe and the world generally gets more time with the tablet, it continues to play host to new music software. I still have to wonder when some of its software design patterns – touch interfaces, big displays, and simplified, task-specific user experiences – will begin to influence other platforms. That is, […]

Nashville’s skyline, ringed in smoke from a fireworks show, in 2008. Photo (CC-BY) Jim Davenport. Nashville is a special place for music, and just as any natural disaster in the world hits musical communities, so, too, has recent flooding taken its toll on this American city. The NAMM summer convention, a top gathering for the […]

Impossible motion magnet-like slopes from Ben Fry on Vimeo. To work with visuals and motion, you need to understand how visual perception functions, for the same reason that sound design is informed by understandings of how our hearing perceives space, frequency, timbre, and the like. So lately, I’ve been fascinated by this question in motion. […]

God bless you, 4/4. Yes, there’s still something about that four-beat, sixteen step bar that gets toes tapping and booties shaking and floors fouring on the… floor. So, when musician and maker Steve Cooley decided he wanted more physical control, he didn’t want some perfectly generic controls, and he didn’t want rows and columns. He […]

Octoloopy: a new Dr. Rex allows loading multiple loops, at last. But drum synthesis, sampling in Reason may steal the show. As I mentioned earlier today, the big news story in the Reason and Record announcements is that you don’t need Record to record; Reason now does sampling. Here’s the full look at what’s new […]