I used to be resistant to the idea of coding. It wasn’t just fear that I couldn’t do it, though that was part of it; it was also the sense that I wouldn’t be able to get to the actual art and music making if I got too involved in programming. And, actually, that bit […]

Proprietary systems like FreeHand’s awkwardly-named MusicPad Pro Plus (Pro Plus, eh?) have offered digital manuscript paper for some time. But the idea there is you buy dedicated hardware; the MusicPad Pro Plus is US$899. With tablet PCs starting at about the same price, and the convenience of having your mobile computer also be your music […]

Advertising, having devoted decades to building elaborate fantasies, now has a new problem: making things seem real and believable. But that’s nothing new to people doing sound design: tiny details of sync, spatialization, and content can trick the mind into different perceptions of what they’re seeing and hearing. The release of a TV ad showing […]

Sure, the name of the site may be Create Digital Motion, but don’t get me wrong — we know digital is evil. Or, specifically, digital gets real evil at certain times. There are the latency-inducing, problem-causing HDMI cables when VGA or S-Video or Composite would do the job, the “look at our brand, new storage […]

Some of you might be surprised to learn that people don’t just read this blog, they also make music. Digital music. In fact, the Create Digital Noise forums have a whole active community of musicmakers, encompassing a broad range of styles, sensibilities, and production techniques. Let’s sift through some recent works by the CDM community, […]

Blending patching, performance, and timeline metaphors, with a healthy dose of effects and sound capabilities, VisualJockey is a unique tool you can now have for free. Need an excuse to load Boot Camp, Mac users? The Mac may be in the spotlight these days, but Windows may boast the broadest access to freeware and open […]

    It’s Flash 909, and Amiga Flash. Code wizard Andre Michelle has already made a name hacking audio capabilities into Adobe Flash and ActionScript 3. We got to see his work in the form of real-time audio effects processing in the GarageBand-like online sample-and-compose interface for Splice: Interview: How Splice.com Has Taken Music Real Audio […]

Our friend Jeane Poole, who hails from the island continent pictured in the screen grab, has a terrific overview review of Live 7 — the upgraded app and suite. And, bonus, there’s some good resources for plug-ins and learning, to boot. The verdict: