Musicians have majored in trumpets and voice, conducting and reeds. Now, they can choose the “electronic digital instrument” at Berklee College of Music, as music education works to redefine itself in the post-digital age.

Can electronic music tell a story about who we are? Debashis Sinha talks about his LP for Establishment, The White Dog, and how everything from Toronto noodle bowls to Bengali field recordings got involved.

If you’ve been waiting for a revision of Apple’s MacBook Pro, it’s here. And Apple gives its users some significantly improved CPU performance, among other features. That’s not making Mac buying decisions much easier, though.

As haunting, oceanic wells of sound sing achingly in the background, Tokyo-based ambient musician Chihei Hatakeyama talks in a new documentary about what inspires him.

Just because everyone you talk to may know Ableton Live in and out doesn’t mean you do. Ableton have quietly posted an official series of videos that covers the basics, quickly.

One app for iOS and Android now recognizes songs – and links you to covers, remixes, and samples. WhoSampled just added song recognition.

Can GarageBand for macOS make music more accessible? The newest release brings free lessons for those wanting to learn. And on another note, it provides crucial bug fixes for blind users.

Virtual reality and augmented reality promise new horizons for music. But one studio is delivering apps you’ll actually want to use – including collaborations with artists like Matmos, Safety Scissors, Robert Lippok, Patrick Russell, Ami Yamasaki, and Patrick Higgins (of Zs).

Using code for live music has gone from geeky fringe to underground revolution, offering a fresh approach to music and pattern, even for first-time coders. Alex McLean is one of the people at the center of this medium’s growth.

Unreal Engine may be built for games, but under the hood, it’s got a powerful audio, music, and modular synthesis engine. Its lead audio programmer explained this afternoon in a livestream from HQ.