Improvising with 3D geometries as though they’re an instrument, Amsterdam-based artist Fabrizio Poce has harnessed Max for Live to play with generative visuals in real-time in a music environment. You can see the work he’s doing, or try assembling your own chains of visuals with his free Max for Live device V-Module. He explains to […]

You’ve heard all the complaints about laptops onstage. But since there are many arguments for a laptop, why not put all that powerful hardware to use, and make your Mac laptop part of a musically-expressive performance? Track Master, a Mac-only application available on the Mac App Store (and one of the few serious music offerings […]

The Glitch Mob is one of the hot summer tickets for electronic music, and they’re fortunate enough to stage a massive live visual spectacle alongside the show. This week’s a perfect time to consider all that visual goodness, with the release of their latest original music, “We Can Make the World Stop” on EP. So […]

If you aren’t quite ready to delve into the mysteries of granular synthesis and code, a colorful interface guides you through playing in Ableton Live. Granular synthesis… you’ve heard it before. Famously articulated by experimental composer Xenakis, the process of slicing up sound into tiny bits and reassembling it has produced everything from lovely (or […]

Derrick May in the Michigan Theatre parking garage, 1988. Photos by Bart Everly. Reproduced courtesy Wax Poetics. In the words of Yogi Berra, the future ain’t what it used to be. Drawing from futurist philosophy and the machine aesthetic of bands like Kraftwerk, the moment at which techno comes into the world is a seminal […]

All photos by Marsha Vdovin for CDM. Click for full-sized, gear pr0n versions. Print large-format, hang above your bed. CDM guest and photographer Marsha Vdovin joins us for a photo essay. Given free reign to choose what she wanted to do, she visits a Buchla module maker. Photos can speak volumes, and here the beauty […]

Pictured: Loopseque, in final form (top) and sketched on paper (bottom). Images courtesy the developers; visit them on Flickr. Saturday afternoon in Toronto, I’m giving a talk to the North by Northeast festival on music software and tablets. I’ll explain a bit about what tablets are about, and some of the software that’s out there […]

Berlin- and Budapest-based artist pixel noizz sends us “Get Control,” original software that turns tablets into visual instruments, chopping, scratching, and reassembling visuals and sound in live performance. That’s all we know at this point, but the video is already worth a watch – some promising stuff, and likely to be one of many experiments […]

Let’s get this out of the way first: if you’re looking for a tool for composing and editing scores on your iPad, Avid Scorch isn’t it — not yet, at least. But as a score reader, Scorch could be a glimpse of a future in which tablets create a new marketplace and exchange for notated […]

Adding hardware to tablets, as it has with decades of computing technology, can open up new worlds for software and music. It can animate a conventional piano, or provide new physical interfaces for touching music. But let’s not wait for it to happen; let’s get hacking. Following on today’s line of thinking about hardware-augmented touch, […]