Musical history seems to happen when things collide, when things get mixed up – certainly in the twentieth, and now the twenty-first century. And so it is that one of the most important “Detroit techno” records ever released came out of Amsterdam. If this were a new artist, the long string of endorsements from a […]

This collection of Instagram photos inspired an ambient compilation at the end of last year – one well worth adding to your listening queue now. Since then, challenges opened to a community on SoundCloud have produced hundreds of terrific tracks – and the latest weekly challenge is on now, with a deadline midnight Monday. Where […]

VJing or live visuals can quickly become simply re-purposed mixes of found video clips, a visual equivalent to a DJ mixing records. Generative and abstract visuals have been one response to that. But in the work of The Erasers, “live cinema” comes to mean really just that. Roving cameras wander the action, as players manipulate […]

Quit your job, leave your loved ones, stock up on food, and get ready to destroy your life with videos from YouTube. Network Awesome, a kind of curatorial “TV” network full of free online videos, has been assembling the best documentaries dealing with electronic music online, with hours and hours and hours of things that […]

If, in my opinion, you want to see how to run a label in 2012, look no further than Project Mooncircle (PMC). It’s based out of Berlin and was originally an offshoot of HipHopVinyl Records – a store I wandered into one summer day in 2004 and left, several hours later, minus a quarter of […]

Finding new sounds in our pulsing electronics means refining our working techniques isn’t just a technical matter. It’s a musical one. King Britt, who has been granted many successful musical incarnations over the years, set off on just such a quest under his new identity Fhloston Paradigm. In a much-watched debut EP for brilliant UK […]

The name “Jupiter” evokes some strong feelings among synth aficionados. Little wonder, than, that when Roland introduced a modern successor, the response was impassioned. CDM was one of the first to look in detail at the Jupiter-80, and I was surprised – given the tendency of this readership away from massive flagship keyboards – to […]

In splashes of groovy texture, three shorts by director Elliott Sellers from late last year celebrate Dublab, the Los Angeles non-profit Web radio collective. They’re doubly worth mentioning – both for the geometric, swinging video goodness of the video, and as a window into the energy behind LA’s Dublab radio. For his part, Elliott Sellers […]

Futuristic technologies, now found … in the past. Maybe that explains the sound of a lot of new music, says CDM contributor Matt Earp. Photo (CC-BY-NC-SA) ReallyBoring. What happens as music peers through the gauze of memory? Our contributor Matt Earp asks that question with the second installment of the new series, CREATED, a column […]

Even the artwork changes. This is my personal copy – #148. Digital: disposable, identical, infinitely reproducible. Recordings: static, unchanging. Or … are they? Icarus’ Fake Fish Distribution (FFD), a self-described “album in 1000 variations,” generates a one-of-a-kind download for each purchaser. Generative, parametric software takes the composition, by London-based musicians-slash-software engineers Ollie Bown and Sam […]