For one of the final Game On performances, Melbourne’s “spiky electro pop” group Flamingo Crash came along and rocked out in front of a bunch of security cameras, and alongside their visual collaborator Simulcast with his Tagtool. They enjoyed the live footage so much that they commissioned me to edit it as an “offical” music […]
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Resolume Posts Tutorial on Controlling Avenue with Ableton Live, More Live Resources
Part of what makes Resolume Avenue so compelling as a live visual solution is that it can mix, mash, and loop audio alongside video, in ways often resembling Ableton Live. But that, of course, doesn’t make Resolume nearly as deep a live sonic tool as Ableton. So, to combine two great tastes – live video […]
Read more →Updated Novation ReMOTE SL Line, and the Controller Keyboard Battle Heats Up
Novation has unveiled their revised SL line of controllers, dubbed the SL Mk II. The changes are subtle, but significant. Looks awesome: Fatar semi-weight “fast touch” keyboard action Touch-sensitive controls for immediate feedback on the LED screen Buttons are now backlit Encoders are ringed with red LEDs Dedicated buttons for enabling Automap and switching modes […]
Read more →Teaser: HS Optical Flow in Quartz Composer
GPU HSFlow port to Quartz Composer from vade on Vimeo. The Live Optical Flow Processing continues. Anton Marini, aka vade, is working on his own Quartz Composer patch, which will in turn be integrated with the visualist software he’s assembling, v002. More details once we get them, but you can see how nice parameterizing this […]
Read more →Cakewalk V-Studio 100: Mixer + Recorder + Computer Audio Interface + Controller
Sometimes, audio products come in sexy, exciting packages. But sometimes, they simply solve a set of problems. And the products that fit into the latter category can be as beloved (dare I say sexy), if not more so. Since I first saw a prototype in the fall, I’ve been eagerly awaiting trying out Cakewalk’s V-Studio […]
Read more →Livid’s Ohm64: Love Child of a Monome and a DJ-VJ Mixer Controller?
Look out, Akai APC40. There’s another contender in the emerging Controller With Lots of Buttons And Also Faders and Knobs and Crossfader product category. Livid’s Ohm64 combines the light-up button grid with faders, knobs, trigger buttons, and most importantly, unique customization options and a lovely wooden case. What’s unique about this one: High-end materials: anodized […]
Read more →Plogue Bidule Modular Music App: Get Started, Meet the Creators
PEMF Lessons: Bidule – Direct Cabling & Your Default Layout from Primus Luta on Vimeo. Ed.: Music creation is all about the special relationship we have with certain, powerful tools. And one app that gets very little attention is unquestionably the deep but elegant modular patching environment Plogue Bidule. CDM turns to power user Primus […]
Read more →Plogue Releases Bidule Version 0.9685: OSC, Wave Monitor in “The Other Patcher”
The Latest Version of Bidule features an OSC Monitor and WaveViewer. Ed.: Plogue Bidule is an unusual animal: this affordable patching tool resists conventional ways of doing things, down to its hatred of the number “1.0.” But Plogue has an underground following inside the already-underground world of modular patching tools for creative music. I’ve invited […]
Read more →Delia Derbyshire, in Radio Interviews and on T-Shirts
Delia Derbyshire, UK electronic composer extraordinaire and BBC Radiophonic Veteran, inspires depths of love and respect from us electronic muzos male and female that defy description. As Tara Busch from AnalogSuicide puts it, people aren’t just fans: they’re Delians. I think if you could see the image inside the heads of Delia fans at the […]
Read more →AudioMulch 2.0 Revealed: Mac + Windows, The Next Patching Generation
AudioMulch isn’t just a sequel or a new episode. This is AudioMulch: The Next Generation. We have holodecks in this one. That’s the claim of the developer, anyway, and looking at the features, I have to agree. AudioMulch has long been a cult favorite for people wanting to patch together unusual sonic tools and performance […]
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