araucann looks like what would happen if someone’s plug-in SDK … exploded on the floor. It’s a six-oscillator synth – okay, so far, so good – but then it also has 33 envelopes and 32 LFOs and things sort of get out of hand from there. This ocean of parameters is then encapsulated into a […]

A public service announcement: if you use Native Instruments software, you should probably check out Native Access if you haven’t already. There’s a good chance it could make your life easier, and keep you up to date with software like the Maschine update that dropped last week. Here’s the deal: NI software has in the […]

There’s a shift on in the worldwide community of visualists, of the growing field of people using electronic visuals as a medium for performance, art, and inquiry. As these media become more mature and more international, there’s a renewed sense of closeness among practitioners. While big media festivals focus on novelty and show, these maker-to-maker […]

There are those desserts that are subtle. And then there are the ones that are layered chocolate and peanut butter and cream that you drench in still more chocolate sauce, but in a way that holds together. You know – layering. Substance, a new soft synth from Output, is all about layering. It’s about making […]

Surprise: Elektron’s latest isn’t a drum machine or sampler or sequencer. Analog Heat is instead a box you use with other stuff. And it has two missions. Mission one: add character to other sounds, via distortion, EQ, a filter, and modulation. Mission two: work with your computer, as an audio interface and as a way […]

In the audiovisual field, it’s hard to top the virtuosic collaboration of Christopher Bauder and Robert Henke. Robert Henke, known to many as Monolake, has himself taken on lasers as visual instrument alongside his signature electronic sounds (controlled in Ableton Live, the software he co-founded). But pair him with long-time collaborator Christopher Bauder (of WHITEvoid), […]

Our MeeBlip synth is back. It’s still a tiny box you can add to a synth setup. It’s still just US$139.95. But now, it packs some improved features – and bigger-than-ever bass.

There’s something magical about the moments in history when computers were able to speak (and sing) like a human. That’s certainly true of Bell’s famous “Daisy Bell” performance (the real-life moment echoed in 2001). But it’s also true of the Mac, which first spoke to uproarious applause.

We all have a short time on this planet, and some of us are lucky enough to get to work on tools that people use to make music. You can count on your fingers the number of people who had the kind of influence that Don Buchla had on electronic music in the last century. […]

It was called “909 day.” It was on the ninth of September. And it included a new 909 product. So far, so good. But Roland’s 909 day stops making sense around there. It launched over 30 products, many of them unrelated, over 24 hours. “909 Day” saw new … accordions. Also, record players that said […]