Ableton’s Push hardware is making it onstage, but whether or not it suits that purpose for you, it’s an absolute godsend in the studio. Hands-on control of parameters, always-ready grid access to melodies and percussion, and tools for starting ideas from clips to sequences to playing live make it feel indispensable to those of us […]
Read more →Search results for ""
Faderfox puts 16 faders in a briefcase that controls anything
In the march to fancy dedicated controllers and standalone hardware, something was lost – what if you just want a whole bunch of faders (and maybe some encoders with them)? German boutique maker Faderfox (the clue is in the name) seems to understand our craving. And they even appreciate our fantasy to show up at […]
Read more →Ableton quietly made the Push pads way more powerful
Ableton Live 9.6.2 is here. Apart from a slew of bug fixes and some improvements to how the Link connection indicator works, there are a lot of improvements to Push, via software and firmware – even down to details like making the potentiometers more jitter free. That’s all well and good. But the important thing […]
Read more →Behringer reveals its analog synthesizer in teaser
They’ve been teasing it for ages. But now we have a clear view – literally – to what Behringer intend in their upcoming synthesizer. And with a brand known for dirt-cheap pricing, that could shape up the entire market. Labeled only with “Behringer Synth” (though I assume that’s not its actual name – charmingly generic […]
Read more →The likely end of Rane as we know it, with inMusic acquisition
Not all independent music gear makers last. And so we’ve learned this week that Rane, the Seattle area-based company founded way back in 1981, will see new ownership with a buyout by giant inMusic (of Numark, M-Audio, Akai, and related). That means, if nothing else, a transformed landscape for DJ mixers. At one end, you’ve […]
Read more →TM404 turns Roland boxes into beautiful instruments, jams
You know a classic Roland 202, 303, 404, 606, 707, 808, 909, and whatnot can make techno. But in the hands of Andreas Tilliander, these vintage Roland boxes are like classical instrumentation. They can form delicate ambient ensembles, or dark, pounding rhythms. And far from being only a grid to switch on and off, they […]
Read more →Aphex Twin uses an obscure British synth to sell new EP
If you’re looking for the nerdiest way possible to market a music album, you’re going to have a tough time one-upping Aphex Twin. The Warp Records artist has used a rare British synth as the cornerstone of the record – one with a reputation for being impossible to use – alongside a speech synth for […]
Read more →Check out this ultra-limited, monochrome “design” synth
Would we love synthesizers if they were a little, well, nuts? And, by extension, don’t we love them even more if they’re a lot crazy instead of a little? If that’s how you feel, you’ll love the 20. Everything about it screams sex appeal. Apart from luxe materials, this is finally a synth that looks […]
Read more →Watch ten hours of Reason 9 presets, played on a road trip
Included sounds: if you care about them, you probably care about them a lot. Now, to some of us, sound design is an essential part of the pleasure of music making. Give us an INIT preset and let us muddle our way to making something work – even badly. But then there are people who […]
Read more →A report from the futuristic Continuum Fingerboard’s first Con
The 19th Century was the century of the piano. The 20th Century, for all its innovation, still saw the piano keyboard as the dominant interface for all those new sounds. But the 21st Century finally looks to offer some choice. And so it’s high time for the Continuum Fingerboard to get its day. The instrument […]
Read more →








