Computer innovator Alan Kay famously said, “The best way to predict the future is to invent it.” Mark Wherry is doing as good a job as anyone of inventing that technology. Powering scores from the latest Batman films to Inception, working closely with Hollywood’s leading meastro Hans Zimmer, the work Wherry is doing really does […]
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From Light and Cardboard, Digital Sculpture: 74R505
74R505 – M4kin9 0f from michaelias on Vimeo. It’s surprisingly beautiful, sometimes, this point where light meets substance. So, saying “projection mapping” suggests something other than what we really want to do, which is to sculpt with pixels. Here’s another example of that zeitgeist’s ouvre, from Austrian artists participating in the Schmiede “creative playground” last […]
Read more →Universal Everything, Ongoing Beautiful Work with Digital Form, New Studio Tour Documentary
Tai Chi / 5 Video Artworks / Framed Gallery, Tokyo from Universal Everything on Vimeo. Universal Everything is a design shop that continues as a standard bearer for expressive digital forms, a high water mark in electronic expression. Founded by the UK’s Matt Pyke, the creative team now spans England and Holland. From top, two […]
Read more →Ableton 9 Live: More Tools For Starting – and Finishing – Music [First Hands-On Details]
Ableton today has revealed the details of Live 9, alongside new hardware called Push. The software update brings new ways of transforming sound into MIDI, new and improved devices for shaping sounds, tools for automation that work inside clips and with curved interpolation, a new Browser, and a number of interface and usability enhancements. There […]
Read more →Ableton Push: Integrated, Touch-Sensitive Hardware Control for Live [Details]
Now, Ableton is doing its own hardware. Sure, Ableton’s logo was on the Akai APC40 and Novation Launchpad, and yes, “engineering by Akai” is stamped on the Push. But make no mistake: this is really the first Ableton hardware, and it shows. Push is a grid controller with extra keys and encoders for navigating features. […]
Read more →An Open Source Video Mixer, Inspired by DIY Space Exploration
As many ponder the fate of hardware mixing, mixing in software continues to advance. And in a reminder of just how many different applications video mixing can have, here’s a fascinating article about a new open-source Linux-based video mixing tool called Snowmix: Copenhagen Suborbitals Release Snowmix, an Open Source Video Mixer [The Power Base] What’s […]
Read more →Sneak-Thief’s Sneaquencer is a DIY Monster, Dream Hardware for Performance [Open Source Music]
You can dream of something, you can complain about it on forums, or you can do it. Sneak-Thief, aka Michel Morin, is a doer. And what’s great about him is that he doesn’t just produce geeky, obsessive hardware – he has the musical chops to match. He can wrangle his own hardware, coding in C, […]
Read more →Mapping, Beyond Projectors: ArKaos Adds Serious Plug-and-Play Pixel, LED Features
It sounds like the computer system on a Bird of Prey on Star Trek, but Kling-Net is at the heart of where VJ and media server maker ArKaos – and a lot of the live visual world – is headed. Forget the phrase “projection mapping,” and think “video mapping” and “pixel mapping.” Yes, projectors will […]
Read more →Giorgio Moroder Rarities Free on SoundCloud; The Most Interesting Electronic Man in the World?
He’s been called the father of disco. He has Oscars for Top Gun, Flashdance, and Midnight Express. (Impressive with or without Oscars.) And he scored the epic of 80s youth childhood, The Never-Ending Story – and the original Battlestar Galactica. He’s worked with Bowie, and Freddy Mercury, and Blondie. He’s a pioneer in composing for […]
Read more →Sharing Music’s Source Code: Event Pairs Performances with Code, Patches, Schematics
At the Metropolitan Opera in New York, high in the rafters, there’s a set of unusually-cheap seats called the Score Desk section. There, in addition to the seating, panels of wood are oversized enough to accommodate full-orchestral scores. While leaning over the railing to see the performance (the section is not for those with fear […]
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