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Give Ableton Live its Missing LFO: Max for Live Device Modulates Everything

(Note – please see update at the end of this story regarding controversy over this device in the Live community.) Ableton Live users have wanted an LFO for a long time. Using basic wave shapes, you’d be able to modulate anything in a set, from clip parameters to instruments and effects, producing shifting timbres or […]

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iZotope Stutter Edit: Can you Make BT Software Performances a Product?

Hardware greatly eclipsed software among music tech announcements and last week’s NAMM trade show. But the one software release that has been generating buzz amongst producers may be iZotope’s Stutter Edit. BT told me in an interview some years ago about how he was using software in beta that he said would change the world, […]

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Visual Sequencing: Cityscapes, Liquids as Musical Icons, for iPhone and Live in Cologne

Christian Sander’s Synse is an iPhone app that contains three audiovisual sets, a sort of self-contained “VDJ” VJ/DJ/visualist/music experience. As such, it represents a small slice of what may be coming in this scene.

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Cubase 6: Amidst Familiar Leapfrog Features, A New Approach to Note-by-note Expression Editing

Users of Cubase seem to be a kind of silent majority. Web data suggests this may be the most popular DAW on the planet, thanks to Windows and Mac support, over 25 years in the business, and the absence of any particular hardware requirements. But the Cubase users I know, while fiercely loyal, just aren’t […]

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For the Digital Guitarist, a Roland Synth, Processor, and MIDI in One Box

I remember seeing Roland’s guitar-to-computer connectivity for the first time. It seemed almost magical. Guitarists could pick up their main instrument and enter lines into notation software, or replace the sound of an instrument with a synthesized one, or track into a sequencer. It didn’t distract from their musicianship, because it showcased that skill. It […]

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Korg’s Kaoss Pad Quad is a Touchable Multi-Effects Box for Under $350

In what is proving to be a NAMM week bonanza for lovers of hardware effects, Korg’s Kaoss Pad Quad may be the best bang-for-the-buck. You can control up to four effects simultaneously, all via the trademark KAOSS-style touchpad, triggering effects you want via single-button toggles. (In fact, this device reminds me in a good way […]

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Korg Revises Portable USB MIDI Controllers; What’s New in nanoSERIES 2?

Cheap, ultra-slim, and easy to pop in a backpack, Korg’s nano Series were a big hit. The only real blemish on this line has to be the original nanoKEY; some people managed to use it, but key caps chronically fell off and it wasn’t a whole lot of fun to play. The nanoPAD and nanoKONTROL […]

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Free Projection Mapping with OpenFrameworks

Projection mapping, whether performed as intricate alignment to surfaces or simply as a way to get out of basic rectangular viewing ratios, has potential to create a range of visual effects. Now, those capabilities are available to users of the fully free and open source, omni-platform goodness that is OpenFrameworks. hvfrancesco has built a really […]

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Arc, A New Design from monome Creator: After Grids, Encoders

You’ve just created the design that, more than any other, was the signature of electronic music making in the first decade of the 21st Century. What’s your second act? Having made the monome grid controllers the biggest design hit in music creation in the last few years, then moved to a farm in upstate New […]

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Eventide for the Rest of Us: A Legendary Effects Processor, Now in Compact Reverb Form

“Reverb” seems too vanilla a word to describe a box from Eventide. Regarded as one of the best hardware effects processors ever, Eventide’s brilliant sounds have sadly been out of reach to most musicians. Eventide’s new stompboxes finally make those effects portable and affordable. The latest is Space. Room, plate, spring, hall. Special effects / […]

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