Au Revoir Simone in Austin. (CC) o.J. Lopena. Boys and girls alike can feel free to crush musically on Au Revoir Simone. In a gloomy world of sound-alike synthpop, the Brooklyn trio has forged their own, unique sound, a peerless breed of sensitive synthy goodness. The songs are relentlessly intimate and honest, genuine rock writing […]
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Share, a Tool for Sharing Processing Sketches; What’s the Best Way to Share Code?
Share, the thesis project of Yannick Assogba in the MIT Media Lab Sociable Media Group, is an interesting idea in coding: it’s basically a peer-to-peer sketchbook for creative code. All of your sketches are synced to everyone else’s sketches, and Share tracks the connections between users. http://share.media.mit.edu/about You get more from Share than you would […]
Read more →Share, a Tool for Sharing Processing Sketches; What’s the Best Way to Share Code?
Share, the thesis project of Yannick Assogba in the MIT Media Lab Sociable Media Group, is an interesting idea in coding: it’s basically a peer-to-peer sketchbook for creative code. All of your sketches are synced to everyone else’s sketches, and Share tracks the connections between users. http://share.media.mit.edu/about You get more from Share than you would […]
Read more →Cutout Beauty in 2.5D: The Basics "Built This Ship" by Matt Arnold
Melbourne director and animator Matt Arnold has put together a lovely little cutout nautical world in After Effects [CDMo tag] for The Basics’ “Built This Ship”. I’m currently working on a similarly nautically themed project, using similar post-production techniques, so it’s fascinating to see another artist’s take on the concept. Via excellent video production site […]
Read more →Cutout Beauty in 2.5D: The Basics “Built This Ship” by Matt Arnold
Melbourne director and animator Matt Arnold has put together a lovely little cutout nautical world in After Effects [CDMo tag] for The Basics’ “Built This Ship”. I’m currently working on a similarly nautically themed project, using similar post-production techniques, so it’s fascinating to see another artist’s take on the concept. Via excellent video production site […]
Read more →Danger Mouse / Sparklehorse Album to Get Blank CD-R Release; How to Grab the File
We’ve heard lots of ideas for alternative musical distribution in the digital age, but this has to be a less popular idea: How about “releasing” your album as a blank, recordable CD-R? If you think about it, it’s the natural evolution of CDs. After all, in the age of widespread digital download stores and file […]
Read more →Resolume Posts Tutorial on Controlling Avenue with Ableton Live, More Live Resources
Part of what makes Resolume Avenue so compelling as a live visual solution is that it can mix, mash, and loop audio alongside video, in ways often resembling Ableton Live. But that, of course, doesn’t make Resolume nearly as deep a live sonic tool as Ableton. So, to combine two great tastes – live video […]
Read more →In Bb 2.0: YouTube-Generated, Collaborative Music Remix
That sounds like the usual collection of meaningless YouTube buzzwords, but yet again, in the spirit of the YouTube-fueled musical genius of Kutiman and, more recently, Tan Dun and Internet orchestras, the combination of user-contributed videos turns out to be magical. Perhaps “You” are a star, after all. In Bb also gives You, the viewer, […]
Read more →Man Behind the Mouse Mask: Deadmau5 on Monome, Not Being a DJ, with DTD
Deadmau5 interview with Dancetracks from Dancetracks on Vimeo. Our friends over at Dancetracks Digital send along their video of Deadmau5, the top mouse-headed act on the planet right now. Deadmau5 may surprise you, with some good things to say about playing the open-source, sustainable, OSC-savvy monome controller – the controller that had big grids of […]
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