Line 6 made a name for themselves by making amps that used digital models to change their sound. AMPLIFi is their latest notion in amps. Instead of just being something guitarists would use in the studio and stage, for the first time it’s an amp system you might want to bring into the home. AMPLIFi […]
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A Digital Label and Online Radio With True Depth – Talking Shop With Dewtone
Turn your radio on. In an age saturated with a tyrannical quantity of choice, tuning into something consistently inspiring matters more than ever. Our resident sound seeker Matt Earp looks into one channel that’s providing just that. Dewtone is a fantastic place to go for a range of music, so much so that it’s worth […]
Read more →See Moog’s Cool New Instruments: the Flying-Saucer-Shaped Theremini, the Packed Sub37 Synth [Details]
In two instruments, we’ve seen the latest future of Moog. One looks like the future, white and flying-saucer-like, a 70s retro-scifi egg/baguette with an equally futuristic sound. The other expands on the latest Moog synthesis ideas to create a vast timbral galaxy that we’ll hear more in the future. Moog’s Theremini gestural instrument and Sub37 […]
Read more →A USB MIDI Controller, Designed Like a Mixer, from Dubspot + Livid: DS1 [Q&A]
We’ve got grids, more grids, and disco grids. We’ve got fake platters and big, whirling plates. We’ve got iPads and things you wave around in the air. But as controllers have embraced digital design, the number of controllers that have the logical layout of a mixer has, remarkably, diminished. And what really don’t have much […]
Read more →Leaks: Roland Aira-08 Will Be an Emulated, Digital 808 Synth
The “new” 808 successor from Roland will be modeled in digital form, possibly using virtual analog modeling, and perhaps with some sample sources. Roland’s Aira-08, as readers noted, is already leaking in product descriptions as a “virtual analog” synth. (Among other sources: there was a Dutch retailer that revealed the info, before removing the page.) […]
Read more →Apple's Final Cut Pro X 10.1 Update is Huge News, From 4K Wonders to Fewer Headaches
All of Apple’s pro apps get updates this week. Compressor adds GPU optimizations; Motion does hardware H.264 encoding and adds 4K export. But Final Cut Pro X 10.1 is the big news. It’s finally the payoff of the painful transition to the X generation. At the same time, combined with a steady parade of updates […]
Read more →Apple’s Final Cut Pro X 10.1 Update is Huge News, From 4K Wonders to Fewer Headaches
All of Apple’s pro apps get updates this week. Compressor adds GPU optimizations; Motion does hardware H.264 encoding and adds 4K export. But Final Cut Pro X 10.1 is the big news. It’s finally the payoff of the painful transition to the X generation. At the same time, combined with a steady parade of updates […]
Read more →A Tangled Sculpture of Lightbulbs, Stage to Elaborate Synchronized AV Performance
In a tree-like cluster of wooden branches, 60 electronically-fired lightbulbs glow in tightly-choreographed pulses along with music. The light sculpture becomes the setting for a kind of AV dance theater, forming an otherworldly environment for narrative movement. “A Man Named Zero” is the work of Nocte and a team in the UK of performers, pairing […]
Read more →pMic is a 3D-Printed A-B Stereo Mic You Can Make Yourself; Hear It
Now, the next time you want a stereo microphone, you can hit print. Well, okay – that’s not entirely correct. But a combination of last-century DIY (circuits for making the mic) with this-century DIY (3D printing for making a convenient housing) means a custom microphone you can build that’s exactly suited to your needs. And, […]
Read more →Cubase Goes Futuristic: Motion Hand Gestures Control Music in Free Add-on [Details]
When it comes to big, flagship audio tools, you don’t get a whole lot of sci-fi in your software. That makes Steinberg’s announcements this week more of a change of pace. They aren’t the first to talk about virtual studio sessions, or even gesturally-controlled music. But seeing this as an add-on to Cubase, not just […]
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