Photo (CC-BY) John Fischer/stickergiant. Sometimes things look interesting even before you can fully grasp just what they mean. Such is the case, I think, with what’s happening with SoundCloud’s on-the-go tools. Now, back in the beginning of this service, I predicted it’d become the Flickr of audio, and I wasn’t alone. But it’s becoming something […]
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HDMI Now on iPad, iPad2, and Android Honeycomb; HDMI Tablet VJ, Anyone?
Tablet? Check. HDMI output? Check. Mixer? Fail. Apple’s new Digital AV Adapter, announced today [see Apple Store link], is pretty darned near perfect for the iPad performer. It might just be better news for the readers of this site than the iPad itself. At US$39, it includes both HDMI and USB ports – meaning you […]
Read more →Apple Gets Into iPad Music with $5 GarageBand
For everyone who imagined something just like this, here it is. Apple is getting into mobile music production with a US$4.99 version of GarageBand that runs on iPad. It looks very impressive for a $5 app – which could be bad news for other music developers trying to set higher pricing for more serious apps. […]
Read more →Artist Interview: Direwires on Memory and Making the Hypnotic, Textured ‘Hearts in Stasis’
Looking to recollection for inspiration, the artist Adam Young, aka Direwires, has a new LP for Moodgadget. Photo by Melissa Upfold; used by permission of the artist. Somewhere at the boundaries of “ambient” and “experimental,” there’s a great deal of wonderful music being made these days. Even with great labels behind them, it’s the sonic […]
Read more →Great First Arduino MIDI Step Sequencer + MeeBlip, More Arduino Sequencing
In our monster MeeBlip round-up the other day, I mentioned the stunning enclosure Michael Roebbeling made for his DIY synth kit. But that’s not all Michael has built. He’s also created a lovely, simple step sequencer with Arduino. It’s a beautiful combination of all open-source hardware, MeeBlip and Arduino. Surprisingly, it’s his first try at […]
Read more →At Music Hack Day, Amidst Listening Interfaces, Novel Performance Control a Winner
One top prize-winner: Stringer, which applied Kinect camera magic to simulated strings. More on how it was made below. Photo (CC-BY) Thomas Bonte. With Web data providers offering generous cash prizes and a strong emphasis on harnessing data to transform listening, music consumption took center stage at Music Hack Day’s debut in New York. But […]
Read more →Nine Keyboards in One: Extensive Q+A, Gallery for KORG on Kronos, Son of OASYS
One keyboard, a mind-bending nine engines, lots of tech specs … now that we’ve lived in a world of impressive, technically-intimidating workstation keyboards for a couple of decades, it’s easy to imagine your eyes glazing over when there’s a new one, let alone the general public. So, what might get your attention? This. “Workstation keyboard” […]
Read more →A Few Good TouchOSC Layouts, from Waldorf to Traktor to Ableton, and a Brief Rant
TouchOSC makes an appearance as musicians hack control at our Handmade Music Open Lab in New York Saturday. Photo by Matos; used with permission. See his (not entirely safe for work) art portfolio. TouchOSC has become something of a standard on iOS for touch control, thanks to desktop editor apps for custom layouts and high-contrast, […]
Read more →Walter Murch Identifies 3D's Shortcomings; A Non-Luddite Plea for the Imperfection of Illusion
Photo (CC-BY) Marcelo Braga. Roger Ebert is not a person with whom I’m accustomed to being in agreement. His position on whether games are art seems laughable for someone who makes Hollywood his living, attacking a medium rather than the content made in that medium. But kudos to Ebert for bringing to light the insight […]
Read more →Walter Murch Identifies 3D’s Shortcomings; A Non-Luddite Plea for the Imperfection of Illusion
Photo (CC-BY) Marcelo Braga. Roger Ebert is not a person with whom I’m accustomed to being in agreement. His position on whether games are art seems laughable for someone who makes Hollywood his living, attacking a medium rather than the content made in that medium. But kudos to Ebert for bringing to light the insight […]
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