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Ableton Delivers Max for Live Improvements and Guidelines, Responds to Feedback; Full Details

Max for Live, in action: a graphical programming environment inside Ableton Live. Photo (CC-BY-ND) akihiko.japan Max for Live, now into its second year, is a tool with an ambitious goal: take the custom music software creation, visual-patch-programming powers of Max/MSP, and put them inside live performance and production host Ableton Live. It’s not the only […]

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Kinect Music Control Hacks, and Kinect Setup on Mac

On Create Digital Music, amidst lots of hacks for listening and creation at the Music Hack Day here in New York, two teams focused on Kinect. Those creative instruments easily stole the show from more conventional social music tools. At top, Stringer, a simulated instrument that uses Kinect for input; at bottom, Bionic DJ, a […]

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The $79 Virtual Analog Console, Now on Both Mac and Linux: Harrison Mixbus

Harrison is a company with a rich legacy in high-end consoles. Mixbus, their software product, is something of an anomaly. Its analog tape saturation, EQ, filter, compression, and mixing should be sold a la carte for a few hundred bucks each, given the usual business model in this industry. The product should run on some […]

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Handmade Effects, Grungy Goodness of the Gallolizer, and DIY Hardware FX

The Gallolizer is a handmade multi-effects sound mangler, an array of dirty, delicious sound-destroying effects in a single handcrafted box. It’s the work of a Spanish engineering and art collective called MP19, an Arduino-loving, free software-using, open source group of artists who turn those platforms into the kind of grungy sounds that make them happy. […]

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Video: Joys of Control Voltage, as Moog Guitar Joins Moog Synths and Effects

Chris Stack, now no longer with Moog Music, is instead spending his time putting out a terrific series of demo videos in which he combines a dream studio of Moog gear. In the last one, we saw him producing stereo ring modulation — and see comments, as someone did take up my challenge to do […]

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Make an Album in February Or Bust: The RPM Challenge, and Deadlines are Good

Photo (CC-BY-ND) tianhua. Record an album in the month of February, and have it in the mail by March 1: that’s the RPM Challenge, and so far, some 6,000 acts have already delivered. Nathan Groth writes us with details (and apologies for late posting here, since that means you have… less time). Long time reader […]

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Processing, Live: Popular Visual Code Tool, Meet Live-Coding and Clojure, Lisp

For some of us, coding is a slow, methodical process, and there’s even some appeal to the rhythm of it – do a series of things, try it, stop, go back to code… But if you’ve ever dreamt of coding and seeing immediate results — whether just to speed your coding solo, or even to […]

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Music Made with NYC Subway Schedules; HTML5+Flash, Q+A with Artist-Developer

Alexander Chen transforms the steady pulse of the (actual) New York City subway system into gentle, generative string plucks in his new interactive piece “Conductor.” The visual effect as well as the musical one is mesmerizing, as the subway is viewed in the abstract, sparse geometries of designed Massimo Vignelli’s 1972 diagram. New York subway […]

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Grids, Chips, and Blips: Handmade Music NYC, Saturday 2/5 Lab + Party, Video Samples + Listening

Galapagoose plays a Brooklyn rooftop at the monome community tour in the fall. Now he’s back to celebrate the release of new software, and meets up with artists from across the digital music-making spectrum. Handmade Music is back on the Lower East Side of Manhattan with an epic lineup spanning digital synths to monomes to […]

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Touchscreen or Tangible? Use Both: A Practical, Affordable, Playable PC Rig with Usine

Touchscreens? Good, old-fashioned faders, knobs, and pads? Why not just use what suits the job – especially when you can choose both on the cheap? Nay-Seven shares some of his latest work with Usine, the brilliant, modular and touch-centric tool for Windows. It’s a futuristic rig that’s also down-to-earth. Touchscreen monitors can be had for […]

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