Ableton Live 11.3 in beta: more expressive control, new Drift synth

Peter Kirn - April 4, 2023

Piastrone is a perfect, playable reverb for Ableton Live – even when other reverbs fail

Peter Kirn - March 29, 2023

Combining TouchDesigner and Ableton Live: free online workshop from Music Hackspace

Peter Kirn - March 24, 2023

Turn Ableton Live into a looping 4-track Tascam Portastudio with this Max for Live Device

Peter Kirn - February 14, 2023

SynthieCat gives Ableton Live the deep matrix and effects of the 1971 EMS Synthi A

Peter Kirn - February 8, 2023

AudioSlide plays advanced MPE ramps even without hardware – Max for Live

Peter Kirn - February 7, 2023

data.train Max for Live instrument-effect mangles and transforms any sample or source

Peter Kirn - February 6, 2023

Vocal techniques in Ableton Live, with superstar artist and teacher Claire Marie Lim, dolltr!ck

Peter Kirn - January 11, 2023

ReBoard transforms melodic playing in Ableton Live with Samchillian layout

Peter Kirn - January 9, 2023

At Black-led Willie Mae camp, music tech exploration starts at age 5 – interview

Peter Kirn - December 31, 2022