Music or weapon: artists inside and outside Ukraine reflect on creativity in times of war

Peter Kirn - February 24, 2023

USA set to more than double fees for artists in visa rate hike – but there’s a chance to act

Peter Kirn - February 10, 2023

Tune in live to sound experiments, performance, bent Game Boys, more from Radio AlHara

Peter Kirn - January 31, 2023

Pirouette machines: sound and computation from screw cans and fluidics, with Ioana Vreme Moser

Peter Kirn - January 30, 2023

In Berlin, a gathering of Detroit Underground artists live, and evocative 3D DEFASTEN visuals

Peter Kirn - January 24, 2023

Here’s Jan Hammer in an 80s power suit rocking his Miami Vice theme on the Fairlight CMI

Peter Kirn - January 22, 2023

LA x Berlin celebrates the sunnier Berlin connection in sound

Peter Kirn - January 20, 2023

Saffron’s 7 Days of Sound is online pay-what-you-can classes for female, non-binary folks

Peter Kirn - January 10, 2023

At Black-led Willie Mae camp, music tech exploration starts at age 5 – interview

Peter Kirn - December 31, 2022

“Words become plastic”: Stephen Mallinder, Cabaret Voltaire founder, polymath, interviewed

David Abravanel - December 23, 2022