How the Open Music Lab creates safe space for refugees, marginalized artists [Hacklab Inputs]

Peter Kirn - August 26, 2022

Lose yourself in this trippy video and Mangled Dreams – WDE x The Microgram

Peter Kirn - August 16, 2022

A five-story pyramid is backdrop for Kyiv’s music artists and queer performers

Peter Kirn - July 29, 2022

Modul8, new synth magazine from Australia, packed with interviews and features – on paper

Peter Kirn - July 28, 2022

“Singing Daxophone” makes incredible eerie quasi-vocals out of an experimental instrument

Peter Kirn - July 8, 2022

Beirut Synthesizer Center at Superbooth, on sharing and music in times of crisis

Peter Kirn - May 27, 2022

Catch Berlin CTM Festival talks, music, and audiovisuals online, from anywhere

Peter Kirn - May 24, 2022

Animistic technology: MusicMakers Hacklab CTM Festival flashback…

Peter Kirn - May 24, 2022

Watch live sets from Superbooth21: Jamaica Suk, JakoJako, Yann Tiersen, Pole, Bloody Mary…

Peter Kirn - May 11, 2022

Superbooth Berlin preview: why the May edition will be an essential music culture event

Peter Kirn - May 3, 2022