Morton Subotnick, singing out to new generations, in film premiere this week

Peter Kirn - October 31, 2022

Healing, history, and a future reclaimed: Nina Pixel deep dive from Signals Festival

Peter Kirn - October 25, 2022

Techno meets graphic novel: Alan Oldham’s Johnny Gambit is back to the future

Peter Kirn - September 5, 2022

Sri Lanka – ශ්‍රී ලංකාව – benefit compilation in eerie, delicate drones and ambient sounds

Peter Kirn - September 2, 2022

How the Open Music Lab creates safe space for refugees, marginalized artists [Hacklab Inputs]

Peter Kirn - August 26, 2022

Lose yourself in this trippy video and Mangled Dreams – WDE x The Microgram

Peter Kirn - August 16, 2022

A five-story pyramid is backdrop for Kyiv’s music artists and queer performers

Peter Kirn - July 29, 2022

Modul8, new synth magazine from Australia, packed with interviews and features – on paper

Peter Kirn - July 28, 2022

“Singing Daxophone” makes incredible eerie quasi-vocals out of an experimental instrument

Peter Kirn - July 8, 2022

Beirut Synthesizer Center at Superbooth, on sharing and music in times of crisis

Peter Kirn - May 27, 2022