Microtonality is the big trend of the 16th century — ask NicolĂ  Vicentino

Kids today, with their 31 equal divisions of the octave. Yes, it’s the music of NicolĂ  Vicentino, a Renaissance theorist and composer who built his own microtonal harpsichord to accommodate his experimental tunings. But it’s not just a theoretical experiment: there is some connection to musical practice (even if Vicentino was basically making this up). Food for thought as we mess with digital tuning systems and microonality.”

The 1976 Polymoog film reminds us of when polysynths were new

In case you missed it, Moog’s re-release of an aging red-tinted, humming copy of the original 1976 Polymoog promo is a treat. And it’s a reminder of how far we’ve come.

Peter Kirn - October 9, 2018

7 Bob Moog images that say a lot about electronic music history

The story of electronic music making is ultimately a human one, even as those humans work with machines. So as the Bob Moog Foundation plans a Moog museum and expanded education, we share seven images from the archives that follow a thread through that history.

Peter Kirn - September 8, 2018