It’s time to dig into the archives. I’d seen this before, but it hits differently now. Herbie Hancock jams out in the studio with Quincy Jones in a 1984 film. It’s notable for what Herbie says with his music, with his approach to the machines, and with how he thinks about humans.
Read moreÉliane Radigue in full, uninterrupted motion, is breathtaking in her thoughts. So it’s wonderful that the filmmakers behind the documentary short Échos have put that film up for free to honor her memory this week. Get ready for sprawling shots of the ARP modular synthesizer and deep reflections on the meaning of music, sound, and […]
Electronic scores can evoke the dramatic wonder of nature, as composer Elizabeth Parker demonstrated in her score for the 1984 BBC David Attenborough classic The Living Planet. Here’s a look behind the scenes, as Parker imagines that soundscape with everything from a PPG Wave to a ketchup bottle. If you need a little extra imaginative inspiration back to the Earth, you’ll love listening to her talk about how she works.