Meet the Beep-It Optical Theremin, and Learn Lessons in Product Development from its Creator

- February 20, 2011

The Circus of Lost Souls: Breakdown of a Narrative Audiovisual Piece, in Max for Live

Momo The Monster - February 18, 2011

With Mobility Rising, MacBooks Looming, Don’t Assume Optical Discs for Distribution

- February 16, 2011

Music Gaming Franchises Face Difficulties, But Here’s Why It’s Not Game Over Yet

- February 15, 2011

Op-Ed: Music Abstraction for AV Collaboration, A Proposal

Momo The Monster - February 11, 2011

Walter Murch Identifies 3D's Shortcomings; A Non-Luddite Plea for the Imperfection of Illusion

Peter Kirn - February 3, 2011

Walter Murch Identifies 3D’s Shortcomings; A Non-Luddite Plea for the Imperfection of Illusion

Peter Kirn - February 3, 2011

Milton Babbitt Passes; Composer Had Place in Origins of Electronic Music, Musical Revolutions

- February 1, 2011

The Importance of Artifact, as Film is Found in the Snow

Peter Kirn - January 24, 2011

LFO Everything, Max for Live, and Attribution

- January 24, 2011