Kids today, with their 31 equal divisions of the octave. Yes, it’s the music of Nicolà Vicentino, a Renaissance theorist and composer who built his own microtonal harpsichord to accommodate his experimental tunings. But it’s not just a theoretical experiment: there is some connection to musical practice (even if Vicentino was basically making this up). Food for thought as we mess with digital tuning systems and microonality.”
Read moreOn the heels of Steep Stims, Clark’s latest full-length, we spoke at length about piano delusions, seriousness and play, film scoring, repetition, hardware, live performance, and the strange necessity of cultivating “friendly parasites” in the creative process.
Ableton Live 12 is now out of beta – plus both the Performance Pack and a tuning site available to everyone (with or without Live). Here’s a review of everything to know.