New sound technologies? Sure, okay, I guess. But haunted dolls of the 1890s as made by Thomas Edison? Oh, now you’ve got my attention. So in case you haven’t discovered this before, Tempest Instruments, a “small team” led by TV/film and video game composer Alex Davis, has been collected strange sound ephemera of the 19th […]
Read moreOn the heels of Steep Stims, Clark’s latest full-length, we spoke at length about piano delusions, seriousness and play, film scoring, repetition, hardware, live performance, and the strange necessity of cultivating “friendly parasites” in the creative process.
A sequel is only worth its weight in spice if it can best the original. For Dune 2, Hans Zimmer and his team went further with their electronic instrumentation to immerse us even deeper in otherworldly sounds. Now we get some insights into how they did it, and why the Expressive E Osmose was a starring player.