Moments fragile, brutal, and sublime, in three new releases from Iran’s Zabte Sote label

Peter Kirn - June 12, 2023

Mille is a 1000-oscillator swarming droning synth to delight your ears and hurt your eyes

Peter Kirn - June 5, 2023

Kyoka on the new Ableton Push; approaching Push as an instrument

Peter Kirn - May 25, 2023

Dark, eerie, modular sonic adventures from Tehran and the Caspian shore: bernisaun

Peter Kirn - May 22, 2023

Gaza kids need a skate park and equipment; a powerful music compilation has come to their aid

Peter Kirn - May 15, 2023

Here’s Ben Burtt breaking down every single iconic sound design from Star Wars, film by film

Peter Kirn - May 4, 2023

Kitbashing, by ABADIR and Nicolò Cervello, is AV subversion of endless algorithmic scrolling

Peter Kirn - May 1, 2023

Brahmaputra to AI: debashis sinha on practice, body, humanness, and his double release

Peter Kirn - March 23, 2023

Tune into HÖR today for music and an earthquake relief fundraiser

Peter Kirn - March 13, 2023

Khabat Abas of Kurdistan-Iraq talking about cellos, bombshells, silenced stories of women

Peter Kirn - March 8, 2023