Eyeballs, errors, and animal keys: Reed Ghazala’s wild circuit-bent electronics keep evolving

Reed Ghazala’s latest generation of instruments is here, gazing back at us with glass eyeballs and dubbed with names like “photon clarinet.” The father of circuit bending also espouses a new conceptual frame and philosophy – errism. And to err is human, but also is cat.

Adding Dimension to Cinema's Future: A Hypercubist Manifesto, and 3D Aesthetics

The futurists are on the side of 3D, even with silly-looking glasses and 19th-century stereoscopy, while luddites rail against it just because they don’t know any better? Think again. A good, long look at Super Mario Brothers might just change the way you think about time in media – seriously. The advent of photography and […]

Peter Kirn - February 28, 2011

Adding Dimension to Cinema’s Future: A Hypercubist Manifesto, and 3D Aesthetics

The futurists are on the side of 3D, even with silly-looking glasses and 19th-century stereoscopy, while luddites rail against it just because they don’t know any better? Think again. A good, long look at Super Mario Brothers might just change the way you think about time in media – seriously. The advent of photography and […]

Peter Kirn - February 28, 2011

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