Barry Vercoe, composer and music scientist, founded MIT’s electronic music efforts and helped shape the Lab’s efforts in digital synthesis and machine listening and learning. But his biggest impact came outside the academy: as the inventor of Csound, he took the original innovations of Max Mathews and made them accessible to everyone. The live coding scene that followed has transformed the practice of coding sound into a new form of musical performance.
Read moreIn a challenging three acts – purification, initiation, and revelation – Universe in Prayer – فَلَک در ذِکْر takes the Bohlen-Pierce scale as a starting point for an intentional “invocation of Otherness, mystery, and transcendence.” It’s the latest from friend-of-the-site Arash Azadi.
In 1977, the marriage of motion pictures and telephones somehow birthed Hal Alles’ Bell Labs Digital Synthesizer – an experimental additive synth that imagined new directions for both music and vocal communication. This 1977 demo has the creator show off that vision, and Laurie Spiegel is on-hand to explore the device compositionally.
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