Hugo rattled Berghain’s enormous system, talked to us about sound

Peter Kirn - March 9, 2018

Ableton Live 10 arrives: how you’ll use it, what it means for Max for Live

Peter Kirn - February 6, 2018

UltraKick is an obsessive bass drum synth for Max for Live [Hands-on]

Peter Kirn - December 22, 2017

Let’s talk about open tools at Ableton Loop and beyond

Peter Kirn - November 7, 2017

Ivy is an epic 240-step hardware sequencer as sound installation

Peter Kirn - October 23, 2017

Set today’s solar eclipse to sound, with music picks, data, and NASA

Peter Kirn - August 21, 2017

Export to hardware, virtual pedals – this could be the future of effects

Peter Kirn - August 3, 2017

This Max for Live patch demonstrates critical digital audio concepts

Peter Kirn - July 20, 2017

Exclusive: Ableton acquires Max maker Cycling ’74; what you need to know

Peter Kirn - June 6, 2017

A conversation with David Zicarelli and Gerhard Behles

Peter Kirn - June 6, 2017