Selestium’s plucked Quiverer M5 module, as discovered on an alien dig

Peter Kirn - February 22, 2024

Phil Niblock, unstoppable composer and artist, remembered

Peter Kirn - January 9, 2024

Threads from Mexicali to Amman, mix and sampler with FAX’s Facade Electronics

Peter Kirn - January 3, 2024

Playing the space of Kraftwerk: Rabon Aibo’s sound art at Atonal

Peter Kirn - September 14, 2023

Brahmaputra to AI: debashis sinha on practice, body, humanness, and his double release

Peter Kirn - March 23, 2023

Khabat Abas of Kurdistan-Iraq talking about cellos, bombshells, silenced stories of women

Peter Kirn - March 8, 2023

Learn modular MetaSounds in Unreal, free, and start thinking in procedural sound

Peter Kirn - February 2, 2023

Pirouette machines: sound and computation from screw cans and fluidics, with Ioana Vreme Moser

Peter Kirn - January 30, 2023

“Words become plastic”: Stephen Mallinder, Cabaret Voltaire founder, polymath, interviewed

David Abravanel - December 23, 2022

Healing, history, and a future reclaimed: Nina Pixel deep dive from Signals Festival

Peter Kirn - October 25, 2022