You wouldn’t make music with just simple oscillators, so why only use basic, repetitive modulation? In the latest video in Bastl’s how-to series hosted by Patchení’s Nikol, waveshaping gets applied to control signals.
A-ha! But what’s waveshaping? Well, Nikol teaches basic classes in modular synthesis to beginners, but she did skip over that. Waveshapers add more complex harmonic content to simple waveform inputs. Basic vanilla waveform in, nice wiggly complex waveform out. (See Wikipedia for that moment when you say, oh, well, why didn’t my math teacher bring in synthesizers when she taught us polynomials, then I would have stayed awake!)
Bastl unveiled the Timber waveshaping module back in May, and we all thought it was cool:
But when most people hear waveshapers, they think of them just as a fancy oscillator – as a sound source. But in the modular world, you can also imagine it as a way of adding harmonics (read: complexity) to simple control signals, which is what Nikol demonstrates here.
That is, instead of Waveshaper -> out, you’ll route [modulation/control signal/LFO] -> Waveshaper in, and mess with that signal. WahWahWahWah can turn into WahwrrEEEEkittyglrblMrcbb… ok, okay, video:
Keep watching, because this eventually gets into adding variation to a sequenced signal.
You can try this in any software or hardware environment, but you do need your waveshaper to work with your control input. What’s relatively special about Timber in the hardware domain at least is its ability to process slow circuits.
You can also follow Nikol on Instagram.
But more of Deina the modular dog, please!
Tragically, while Nikol’s English is getting fluent, us Americans are not doing any better with our Czech. So, Bastl, we may need an immersion language program more than synthesis.