From La Monte Young and Marian Zazeela to Valee and Gangsta Boo, Michael Vincent Waller talks to us about collaboration, mixing, and connecting the dots between modern Classical/new concert music and hip-hop.

Noah Pred has a fantastic free treat out on Manifest Audio for Ableton Live and Max for Live. Percotone is monophonic, expressive, playable, and full of tonal, pitch-mangling delights. It’s just the thing for sneaking in some quick sound experiments in the waning days of the year.

On December 24 and 25, radio will broadcast live from Gaza and produce a live-streamed exchange between a choir in Bethlehem and Hebron and one in Khan Younis. It’s an unprecedented live connection to a world whose violence has been shrouded in darkness. It’s also a way for live streaming to reconnect a Palestine divided across the West Bank and Gaza.

Virtual patching has reached a major milestone: you don’t need a controller. Using just your hands and natural gestures, you can now build up entire interactive worlds, connect virtual wires, tweak knobs and faders, and play virtual instruments in PatchWorld on Meta Quest. Combined with Mixed Reality, virtual physics, and support for OpenSoundControl and Ableton Live and Link integration, it’s a glimpse of how mixed reality and VR can work for music making.

Stochastic Instruments has a preview of some tasty generative sequencer modules. Random walks meet music theory, and what you get is Melodic Contour Sequencing, navigated with knobs, voltage, and (on the larger module) a joystick.

How did the Minimoog take shape – and set the course of synthesizer and musical instrument history? Among many revelations in JoE Silva’s The Minimoog Book for BJOOKS, we learn how the synth’s early prototypes evolved into the instrument we know today. Read the excerpt here.

Eventide is in on the holiday gift game, too, with a giveaway through New Year’s Eve of one-knob signal separation fixers for low-end thump and high-end air.

Universal Audio also has their holiday freebie announcement, and it’s lovely – the Pure Plate Reverb, licensed for both native systems and their UAD-2/Apollo hardware.

Augmented Mallets Play, showing graphics of mallet instruments (one real, one synthetic), and parameter knobs arrayed around a central morph knob.

Harper’s Magazine has an excerpt from Liz Pelly’s book on Spotify, and already we get another bombshell. The company conspired to farm out ghost content, often substituting for known artists, to pay out less to artists. That much was suspected by anyone listening to the platform, but the details are even more damning and far-reaching than you might imagine.