Subtle, nuanced, transparent, almost inaudible sonic adjustment? No – let’s kick things into the deep, terrifying flaming pits of Hell. Meet Abyss.

So, yes, it’s Halloween. That means even if you don’t have a costume, you can make up for it by grabbing this free Max for Live device and plugging in a microphone. (Say your costume is “audio engineer.” Pretty much anything works.)

But the cats at Max for Cats have put together a wonderfully disturbing audio effect in “Abyss” that I’m sure some of us will use year-round. Their description says it:

… lets you forward any input signal into the abyss. The result is an ominous, gory and hellish version of your original input signal. Use with extreme caution and only if you have a strong, sane mind.

Sorry, what was that last bit? I tuned it out. Never mind.

What’s actually here: repitching, reverb, delay with feedback, but all mashed together in a truly wonderfully demented way. So you get precise controls for damping, tail, spread, early reflections, flanging delay feedback, modulation rate and depth, and pitch presets.

Plus included Mirror, Cat, and Crow at no additional cost.

As it’s a Max for Live device, you’ll need Ableton Live 10 or later and a Max for Live license (included in Live Suite).

https://sonicbloom.net/en/abyss-free-audio-effect-of-doom-by-max-for-cats/?fbclid=IwAR1MUqJX_nvjnoD5Ke20eDKOD8FtsTI0n5rsJD4g5DVm4p7S7aujnRQvLjk