2025 in review: meaningful music for when things fall apart

David Abravanel - December 31, 2025

Clark on friendly parasites and why music needs friction

David Abravanel - December 27, 2025

“Magic Can Be Fun”: remembering Ken Downie of The Black Dog

David Abravanel - December 23, 2025

FL on the Web: hands-on, Image-Line tells us what it all means

Peter Kirn - December 22, 2025

The business of live at Vegas’ LDI show, from global trends to espionage

Colin Keurheen - December 19, 2025

Absynth creator Brian Clevinger on synths, emotions, and “weird-ass ideas”

Peter Kirn - December 9, 2025

Alien resurrection: Absynth 6 delivers a powerful update to a futuristic classic

Peter Kirn - December 9, 2025

Guide: Creating instruments with Max for Live and Ableton DSP (pt. 3)

Peter Kirn - November 12, 2025

Data Knot for Max is machine learning as musicians want it: human-focused

Peter Kirn - October 23, 2025

Panel: liberating music technology for Arabic music and beyond

Peter Kirn - October 21, 2025