Hey, what is MIDI Thru actually about, anyway?

Peter Kirn - September 28, 2023

Premiere: In new kāve LP, pre-classical Persian verse meets the machine

Peter Kirn - September 26, 2023

“Exist is a feeling”: Organizers talk about their festival after losing Odai Masri

Peter Kirn - September 22, 2023

You die so many times: you need more of electronic pioneer Halim El-Dabh

Peter Kirn - September 20, 2023

What the future of the NUC platform means for Ableton Push standalone

Peter Kirn - September 19, 2023

Playing the space of Kraftwerk: Rabon Aibo’s sound art at Atonal

Peter Kirn - September 14, 2023

How to support relief in Morocco and Libya: resources

Peter Kirn - September 14, 2023

Independence Day: don’t-miss experimental releases by two Ukrainian women

Peter Kirn - August 24, 2023

First look: Sample 2.0 puts Serato’s stem separation into your DAW

Peter Kirn - August 23, 2023

Arturia goes 303: Acid V bassline synth hands-on – all the tweaks and extras

Peter Kirn - August 22, 2023