If we’ve learned one thing about artificial intelligence, machine learning, and music generation, it’s that AI makes some damned fine death metal.

Behringer’s analog remake of the 303 is now out in the open – a $199 set of red, blue, and silver synths called the TD-3.

The no-compromise and entry-level audio interface – it’s something that should be impossible, but MOTU might have just cracked it.

When it comes to activism, talented music producers still speak best in music. And now hear this – the Netherlands might be a different place than the one you imagine, starting with this killer cut from DutchAfro.

Don’t go offline yet – there’s an opportunity to discuss deeper issues around race, politics, power, and electronic music. Guest writer BELP delves into the core of the challenges in those issues – and invites more discussion.

Boutique German maker Faderfox has long been a go-to for controllers. The latest compact box looks like the encoder box to end all encoder boxes.

Roland is on-record in an interview about the new JUPITER-X & Xm that they’re not planning an analog remake – but that’s not actually what’s most revealing in the story.

Ableton Live is best known for its Session View grid, but the faster you are with Arrangement View, the more fluidly you can compose finished tracks. I put together a quick reference tutorial to help you work faster.

After an edition in LA and a half-year break, the music-making summit hosted by Ableton is coming home to Berlin. Monday is your last chance to register if you want a chance to join. After Live and Push, Loop has become a kind of third major product from Ableton. It isn’t an event about Live […]

Subtle, nuanced, transparent, almost inaudible sonic adjustment? No – let’s kick things into the deep, terrifying flaming pits of Hell. Meet Abyss.