808 day, sure. But let’s pause for 606 day – the logical anniversary of the 1982 TR-606, a drum machine squeezed inside a tiny enclosure that looks like a 303 but isn’t. It’s the lesser known runt of the Roland family, and you kind of love it for that alone.

Virtual ANS from prolific omni-platform developer Alexander Zolotov brings back spectral synthesis like it’s the mid-century USSR. But it also future-proofs that tech – full Android and iOS (plus desktop) support, and now a version that’s polyphonic and MIDI playable.

There’s a giant expensive cheese grater Mac and display and new versions of all Apple’s platforms. But what’s going on with iTunes? iPadOS? And what else might matter to musicians and visual artists? Here’s a round-up.

Many iOS music makers want to route audio between apps – just as you would in a studio. But news came this week that Apple would drop support for its own IAA (Inter-App Audio), used by apps like KORG Gadget, Animoog, and Reason Compact. What will that mean? I spoke with Audiobus’ creator to find […]

From Garderobe to dark rooms to toilets to dance floors, someone has lovingly built a Minecraft recreation of Be– uh, I really don’t want this to be taken down. Of some Berlin club. Looks like Tresor, probably.

Apple promised something special – and modular – at the pro desktop level, and they’re delivering something ambitious. Welcome the return of big metal desktops with tons of PCI slots and maxed-out power supplies. And if you missed Macs that look like cheese graters, you also get your wish.

You know the Minimoog and the modular. But do you know The Operator – a business telephone? Or the Moog table hockey game? The Moog name wound up in some strange places in the 80s.

DP10 for Mac and Windows, unveiled this spring, brought breakthrough features to the long-standing favorite DAW called Digital Performer. So now it’s time to dig in and start using the new stuff. DP has never been short on updates, but some of them certainly felt iterative. And the software had to make the jump from […]

Composer Hildur Guðnadóttir went the extra distance for her score for Chernobyl = taking a real power plant as inspiration for her haunting score.

Noncompliant has some sexy-cool techno bounce going in her mix for WHOLE Festival. It’s the perfect link between midwest techno and the coming queer-focused blowout in the countryside near Berlin.