Betty Apple’s Taiwan Bay Be is a full-length album exploring Taiwanese identity, time travel, sound, and the cosmic. Released this year on our Establishment, Betty is now in Berlin for a live presentation on Wednesday – and she has a lot to say, from unpacking the mermaid fairy tail to imagining science fiction futures and sound’s relationship to “God” and life after death.

I was pondering what it was that bothered me so much about the Suno and Udio case. My pride as a composer? Erm, no. Fear of AI? Copy-pasting Abba lyrics, uh, not really. No, it’s something else…

This week, the RIAA is suing the generative AI music startups behind Suno and Udio, claiming they’ve illegally trained their models on copyrighted music. The lawsuit reveals that you can enter simple prompts and get near-perfect clones of existing songs, down to the melody, harmony, lyrics, and arrangements. And you can hear those results for yourself.

Logic Pro for Mac 11 and Logic Pro for iPad 2 deliver new machine learning-powered features on Apple Silicon: new Session Players, the ChromaGlow saturation model, and an integrated Stem Splitter. But AI isn’t the whole story in these two updates. Let’s talk about everything new. (Spoiler: bounce in place for external gear.)

Maybe you don’t need a new synth; maybe you just need your KORG gear to add a magical new oscillator. Sinevibes Flare is here, and it takes all the good stuff in additive synthesis and makes it way more accessible, giving you rich, organic, edgy, and metallic timbres as you desire.

Intellijel just dropped their new all-in-one synth voice for modular. The successor to their one-voice, SH-101-inspired Atlantis is the expanded Atlantix – and it packs a whole lot of fixins’ in that 42HP.

As promised last month, big Final Cut Pro updates land this week for both iPadOS and macOS. That’s accompanied by an update to Apple’s free camera app that lets you gather iPhones and iPads for a multicam rig.

Call it a Source of Sequences. Like the classic Buchla Source of Uncertainty, the Gamut Repetitor makes use of generative voltage and randomness. But it’s scaled and quantized for making triggers and voltages that you can generate continuously or loop – for far more than just chaos.

Arturia’s FX Collection has now hit version 5, bundling all the latest releases, refreshing existing plug-ins, and revealing two all-new effects: a clipper/limiter and an exciter.

Philip Glass’ score for 1982’s Koyaanisqatsi is deeply moving, sombre, arresting – but have you really even heard it until you’ve heard it performed by Alvin, Simon, Theodore?