Roland has quietly filed for trademark protection (Unionsmarkenanmeldung) in Germany for the designs of the TB-303 and TR-808.

There’s something about point releases – not the ones with any radical changes, but just the ones that give you a bunch of little stuff you want. That’s Live 10.1; here’s a tour.

The waves of synth modules never stop coming, as obsessed engineers keep making them and sound tinkerers keep buying them. So let’s catch up with what’s out there, in the wake of the NAMM show in California late last month.

DP10 might just grant two big wishes to DAW power users. One: pull off Ableton Live-style clip launching. Two: give us serious, integrated waveform editing. Here’s why DP10 might get your attention.

The latest visual tool to use dataflow patching with virtual wires is here. Cables.gl is free for now, with an accelerated 3D engine powered by Web standards, and some unique tricks up its sleeve. Resident visual expert Ted Pallas gives us a first look.

Call it the people’s iOS synth: Synth One is free – without ads or registration or anything like that – and loved. And now it’s reached 1.0, with iPad and iPhone support and some expert-designed sounds.

If experimental music and Europe make you think only of cities like Paris and London, you’re missing a big part of the story. Now you can grab a huge reference on fringe and weird electronic music from the east – and it’s free. (At least that would please Marx.)

Behringer left its big gear salvo for the year for last – Crave is a compact, patchable synth with arp and sequencer for US$199.

It was only a matter of time before some of the craziness of the modular world came to desktop synths, too. Arturia’s new MicroFreak is a budget keyboard with a weird streak.

They’re calling it the “analog messenger of joy.” Moog Music’s latest synth is an extremely limited run – and it turns the Taurus bass engine into an instrument you can play in any range. Meet Sirin: