Real-time design and live visuals can provide transformative powers. But what if you’re not ready to commit both time and money right away? Here are two industrial-strength tools that get you started for free. Meet Smode and TouchDesigner.

There’s a nice gift for Red Bull Music Academy attendees: a hardware convolver effect from the man who led the team at KORG that gave us volcas and minilogues. Here’s a sneak preview.

No, it’s not quite Millennial Whoop: the VST. But Output’s latest, Hooked, makes a whole trove of popular pop vocal elements playable like an instrument.

Max 8 is released today, as the latest version of the audiovisual development environment brings new tools, faster performance, multichannel patching, MIDI learn, and more.

Deep in the Arctic Circle, the USSR was drilling deeper into the Earth than anyone before. One artist has combined archaeology and invention to bring its spirit back in sound.

Espills is a “solid light dynamic sculpture,” made of laser beams, laser scanners, and robotic mirrors. And it makes a real-life effect that would make Tron proud.

It’s a kind of love letter to humanity – and strikingly personal, both in the music and imagery, finding some hopeful part of the current zeitgeist. Don’t miss the new “Lovesong” video, made by music producer Max Cooper in collaboration with artist Kevin McGloughlin.

Spotify has begun opening uploading not just to labels and distributors, but individual artists. And the implications of that could be massive, if the service is expanded – or if rivals follow suit.

Music, film/TV, games… yes. But another frontier is opening for sound design you might not expect: cars. That has led automaker Jaguar to sound designer Richard Devine, and that in turn means when this Jag accelerates, it sounds like it’s headed into hyperdrive, bound for the outer rim.

Call it the virtual reality microphone … or just think of it as an evolution of microphones that capture sounds more as you hear them. But mics purporting to give you 3D recording are arriving in waves – and they could change both immersive sound and how we record music.