Bethlehem/international community radio platform Radio Alhara has set up live outside the International Court of Justice in the Hague, where South Africa is making a case accusing Israel of committing genocidal acts against Palestinians in Gaza, and lawyers will respond on behalf of Israel’s government.

“Known Pleasures”: the Biamp MR/140 spring reverb, best known for its use by Joy Division’s Martin Hannett on Unknown Pleasures, is now available as a series of impulse responses for any reverb and a recreation as Ableton Live device. And that’s a great excuse to talk about the production techniques behind this record.

Adventurous composer, musician, filmmaker, and conceptual artist Phil Niblock remained active right through his later life – an embodiment of the potential a life can hold, irrespective of age. With his death at age 90, remembrances are pouring in. And we have an unusual record of events leading up to nearly present day.

It’s about time the glorious low pass gate, that staple of West Coast synthesis, got a stereophonic treatment. Make Noise just added to their stereo range with the DXG Dual Stereo Low Pass Gate and Mixer.

Ever wanted a Eurorack module that divided down by 1,073,741,824? Or how about a 3-axis controller with a 3 meter-long string you yang out of the module? Nervous Squirrel, the esoteric instrument inventor who brought us a musical leg and a voltage source powered by uranium, is back.

Sinevibes multi-voice chorus effect is a steal as an add-on for KORG ‘logue platforms – and even runs on a lowly, ultra-affordable NTS-1. The all-new v2 is a free upgrade for existing users and features 4x stereo layers (up from 3x mono) and richer, improved sound.

Take a Max patch and add easy livecoding for it. Work with anything you want, commanding Max from the keyboard – including powerful OpenGL, Jitter, JSON, and JavaScript functions and customization. It’s a live visual tool; it’s a powerful Max customization tool, so it’s whatever you imagine. GLRepl is here, it’s free, and it’s even right in the Max package manager.

Since sound is a wave, there are, uh, resonances between audio and fluid dynamics. And that brings us to playground swings and how not to spill your coffee. Let’s let Oxford PhD math student Sophie Abrahams explain the research done by original author Jiwon Han.

If you need sonic architecture to hold emotions beyond words, look no further to this poignant sampler by the underrated Facade Electronics, the label by FAX out of Mexicali, Mexico. It’s brought together by feeling as much as something superficial like genre. I had the same sense of connections to producers I care about in contributing a mix this fall.

Late last week, we learned of the passing of a legend of electronic music production, Mexico’s Álvaro Ruiz Mayagoitia. His wide-ranging talent across various aliases (Balboa, Ruisort) should have gotten far wider recognition outside of Mexico. It turned with ease from glitchy experimental minimalism to hip-hop electronica to soundtracks, his imagination simply refused to be confined to a single form of expression.