Roland’s RD-64 is a Mobile Piano That Actually Sounds Like a Piano And Is Mobile

The problem with the music instrument industry releasing all their new stuff at the same time – as they do annually at the USA’s NAMM trade show – is that useful but not-particularly-sexy stuff can easily get lost. So, here’s one example that I think a number of pianists and keyboardists wanting mobile keyboards might […]

Bleep Drum, $60 Hackable Drum Machine Based on Arduino, On Sale

Don’t call it “lo-fi.” Call it “rad-fi.” At least, that’s what Austin, Texas-based creator Dr. Bleep says about his latest, the Bleep Drum. We saw the Stone’s Throw Records / Dam-Funk commission Dam-Drum 2.0 last month, but it sold out almost as soon as we mentioned it. The Bleep Drum is a sibling to that […]

Experimental Electronics Listening: Biosphere, Samuel Kerridge, Bill Kouligas + PAN

Humming and hypnotic, moving from dripping-wet ambient surface textures to pulsing thumps like an alien rave in the next room of your spaceship, the sounds of these three artists and their taste in tracks can pleasantly absorb an evening. We have not one but three four separate mixes, enough experimental electronic sonic diversity that you […]

Cut From a Different Cloth: Threads and Circuits at MusicMakers Hacklab CTM [Video, Gallery, Pt. 2]

So much is possible when we just open up the materials of musical invention to a range of people – and those materials can be cloth, circuits, acoustic, electronic, light, sound. I was reminded of that yet again last week, thanks to an amazing group of artists, developers, facilitators, and organizers. I’m still recovering – […]

Cubepix, Kinetic Projection Mapping On A Moving Wall of Cubes [Arduino + OF + Kinect]

Cubepix Demo Test – by Xavi’s Lab from Glassworks Barcelona on Vimeo. The next step in projection mapping: kinetic projection mapping. Moving beyond the sometimes-clinical use of projection mapping to use three-dimensional objects as a surface, the addition of the kinetic makes the surface itself part of the motion. Cubepix is a direct, lovely implementation […]

More Than Ever: Tour Dave Smith’s Monster Synth, the Prophet 12

The Prophet 12 from Dave Smith Instruments is a landmark synth: packed with polyphony and sound features, it’s the latest demonstration that “new” and “synth keyboard” can go together. So, for our first-look tour through the new Prophet, we get a special treat – writer, electronic musician, and mathematician Gina Collecchia got a hands-on look […]

The Terror of Watermelons and Your Niece Screaming: Interactive Sonic Fear in Dead Space 3

Wilhelm wasn’t going to cut it for A-list game release Dead Space 3. Meet the young Amelia, instead, screaming. And behold the sheer horror that only a squishy watermelon can produce. I always knew fruit and toddlers were up to no good. Kill Screen, the indie game mag, collaborates with The Creators’ Project to go […]

I Want My IR TV: A Giant Screen Made of 625 Remote Controls

From the avalanche of discarded, used electronics, artists are beginning to make new works. DeFunct/ReFunct, as covered here in some detail recently, appeared last week at Berlin’s Transmediale. But for a uniquely-elegant transformation of the old into the new, Chris Shen shares his TV screen made of some 625 remote controls, as installed in an […]

Faderfox UC3: Compact Controls for Ableton, Anything Else, and Now Cheaper

No disco-colored pads. No pressure-sensitive controls. No flashy layouts for specific software. It’s not an iPad app. No, it’s just the Faderfox controller we love: incredibly compact, engineered and built like a tank in Germany from metal and high-quality pots, with gimmick-free controls. And perhaps more than any previous version of the Faderfox series, the […]

Cubasis + Audiobus: Complete Solution to Record and Edit Sounds from iPad Apps

Audiobus may have just gotten its killer app. See if this scenario is familiar to you: you’ve got some instrument or effect on the iPad or iPhone, and you’re making some cool sounds. But you want to actually get to recording more than one track of that instrument, perhaps even as far as arranging it […]