A deep-dive, hands-on review of the boutique synth-sampler-sequencer hardware box that does it all.
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New KORG volca sample adds USB file loading, per-part groove, pattern chaining, more
The KORG volca sample was always a compact, hands-on, grungy little wonder box. Now a major revision solves its biggest problem – sample loading – and adds a ton of new features.
Read more →Free sounds and samples in Ableton Live, powered by commons and community
Freesound4live brings the incredible and eclectic open sound community freesound.org right into your Ableton Live session – so you can access sounds and new inspiration quickly, for free. The Max for Live device is the work of Alessandro Aylesim Miracapillo. And this is both convenient and unlike any other sample tool. You can browse, search, […]
Read more →Samplr’s creator made a free sample player for the MacBook Touch Bar
The MacBook Touch Bar just got a new use. From the maker of the excellent iPad app Samplr, this free utility makes a multi-touch sample player – and it’s surprisingly capable.
Read more →Learn to build your own Sample Mash device in Max for Live, and chat with your teacher
Yes, there’s a powerful toolkit for making instruments and effects inside Ableton Live Suite. But how do you get started actually using it? Follow along here.
Read more →New Logic Pro overhauls EXS24 Sampler, takes workflow cues from Ableton and Maschine
Apple is adding Live Loops, as predicted and leaked. But the new release of Logic Pro X is far more than that, with new workflows for sampling, looping, and beatmaking on the Mac and with the iPad.
Read more →All about Mutable’s Marbles random sampler – and a clever, just-released update
Mutable Instruments’ modules seemed poised to live forever, in synth terms. A clever update this week is a good reminder of the coolness of the Marbles random sampler.
Read more →Elektron’s Model:Cycles, revealed – so it’s Model:Samples, but FM
Elektron’s Model:Cycles is revealed, and – it’s exactly the structure, form factor, and UI of the Model:Samples, but with FM synthesis.
Read more →The Wall of Sound reimagines a sampler-sequencer for public space and use
In an oversized, lo-fi electronic sound instrument, the project from Warszawa, PL’s panGenerator lets the public collaborate on sonic graffiti.
Read more →If you’ve got $7500, you can also have an E-mu SP-1200 sampler remake
Also new in 2020 – a remake of the legendary 1987 E-mu SP-1200. Just get ready for some sticker shock, because it’s not just a clone, it’s an actual SP-1200, rebuilt.
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