Some Number on the Floor: Uncanny Sequencer for Ableton Live

Labeled as ready for IDM or “Braindance” music, The Uncanny Sequencer could be something tasty for those tired of regular rhythms. The creation of Julien Bayle, The Uncanny Sequencer is a graphical, generative, multi-part sequencing Max for Live device built for Ableton Live. At its core, it creates polyrhythms and irregular rhythms by making the […]

Controller Hardware: A New Faderfox for Traktor Pro 2

German boutique controller maker Faderfox was one of the first to build custom controllers for Ableton Live and Traktor. But amidst bigger-name offerings, the Faderfox devices still hold up. While other, more sprawling controllers struggle to squeeze into a booth, the Faderfox devices are ultra-compact, though still with enough room for your fingers. They also […]

Logic 9 and Updated MainStage on App Store, at Cut-Rate Prices

MainStage, with its all-in-one instrument and effect rig powers, is now a la carte, and both Logic and MainStage are cheaper. A lot cheaper. Image courtesy Apple. As expected, Apple moved its Logic Pro music production tool to the App Store. And the results are mostly what you’d expect. The biggest change is the price: […]

In Expressionist, Elaborate Compositions, Reas + Rosner Generate Mural on Gehry

Against the sun-streaked, palm-silhouetted skies of Miami, Florida, generated software murals create a layer of intricate virtual architecture atop a flat canvas of Frank Gehry’s hall for the New World Symphony. LA-based Casey Reas (known to many as co-creator of Processing) worked with Tal Rosner to product shifting generative murals in what I think is […]

New Matthew Dear Pops Ears; Morgan Beringer Video Melts Retinas

Texas-born, Detroit-raised, New York-based artist Matthew Dear has a new EP, to be followed by a full-length in 2012. It’s worth mentioning now for two reasons: one, the driving, “chugging” rhythms of the single, “Headcage,” will pop into your head and stay there, led by Dear’s vocal ability to croon and groove simultaneously. Second, the […]

PreenFM, Open Source Hardware Synth: Behind the Scenes with the Creator

First revealed last month, PreenFM is an open source hardware synth. As the name implies, it’s an FM synth, with some very serious specs: up to six-operator FM synthesis with some nine algorithms, up to 4-voice polyphony (depending on algorithm), glide, selectable LFOs, modulation matrix, and preset banks with SysEx support. It’s all usable via […]

Time and Tune, More Fluid: Melodyne Editor 2.0 Brings New Tools, ReWire

The Melodyne editor, which promises to make working with audio as fluid as working with MIDI, has long had some impressive technology under the hood. But it’s as the tool gradually matures in terms of workflow and usability that I think it could win some additional converts. Melodyne 2.0 is a major update to the […]

Touchable Music: At Last, Lemur’s Interactive Touch Controls Make it to iPad (Videos)

A lot of people have waited a long time to see this happen. Lemur software running on the iPad, courtesy Liine. Click for bigger version. Before the iPad, before the iPhone, and indeed before the masses understood touch interfaces would be a big deal, there was the Lemur. Dazzling people with high-contrast, colorful controls, this […]

Handmade ‘Smomid’ Touch Guitar, in BOMB Video, Extends Expression and Samples Monks

What do you do if you can’t find an instrument that you can play the way you want? In the digital domain, you can just invent one. So, when Brooklyn-based artist Nick Demopoulos wanted a controller that’d allow him to articulate digital instruments more like a guitar and less like a keyboard, he built his […]

Total Immersion: Projection Mapping + Tracking for PS3 Shots, Like Pure Magic

We’re living in an age of the Neo-Baroque/Neo-Rococo, in which technique creates marvelous illusions, when technique and thought can create dazzling effects. And as the technology matures, that work begins to evolve genuine playfulness. It’s not enough to see the novelty: that novelty is now conveyed through real wit. At least, I feel fuzzy, optimistic […]