Visualization often wins out over sonification when it comes to making data clear. But sound has one key advantage: it can make time and scale apparent, by tapping directly into our perception of forward time. Japanese artist Isao Hashimoto, born well into the Nuclear Age in 1959, uses that property to chilling effect. The sounds […]

prettyugly from madbutter on Vimeo. Brooklyn-based interactive artist Robert Stratton writes to share his interactive, modular LED display system, currently on view through the end of August in a window on 53rd Street in Manhattan, between 5th and 6th across from the Museum of Modern Art. The project uses proximity sensors built by Sensacell. This […]

Is it time to get a round tuit? Photo (CC-BY-ND) Denise Mattox. For this book review, we welcome guest writer Andy Farnell, who himself has a terrific book on interactive sound design and free modular patching environment Pure Data, entitled Designing Sound. It began as a review of a book on using free software – […]

AudioMulch 2.1: Time signature support from AudioMulch on Vimeo. Does music production need more software with more features? Probably not. Could it use a little spice in its rhythms and time signatures? Absolutely! So, while I already have great respect for the idiosyncratic, underground-favorite AudioMulch, the addition of custom time signatures in the video above […]

Trifonic: Making Pads with Spectral Dronemaker from Next Step Audio on Vimeo. Brian of the music production team Trifonic completes his two-part series on synthesizing sounds with Native Instruments Massive (which shows nicely here, though you could also translate these techniques to similar semi-modular synths). Part one from May covers oscillators, filters, and other features, […]

Many musicians and producers appear to be betting that the killer app for iPad will be Ableton Live. That is, they’re interested in controlling Ableton Live’s live performance engine, running on a full-featured Mac or PC, from the iPad as a touch control surface. Little wonder: the iPad, at US$500, has what’s likely the best […]

Image courtesy Liine. We got a first look at Griid, a dedicated Ableton Live clip launcher for the iOS platform, late last month. It’s now available in the iTunes App Store, along with pricing. Not previously announced, there’s a version for iOS handhelds (iPod touch and iPhone). A free version lets you see how you […]

Resolume “Avenue,” the audiovisual and VJ performance app, has reached the 3.3 milestone. Those of you registered users on the mailing list know all about this, of course, but here’s a look at the forward progress of this software for Mac and Windows. DMX input: If it sends DMX, you can use it to control […]

From our call for CDM reader studios, Eric Beam’s studio. In his setup: Windows 7 64-bit, Cakewalk’s SONAR 8.5 DAW (with native 64-bit support), and the excellent modular patching environment Plogue Bidule. Click through to Flickr for a closer look. Photo (CC-BY) Eric Beam. This week, while we poll readers to find out what platforms […]

For centuries, music has had scores as visual representation. Now it has visual interfaces in software, too. I know from our in-progress platform survey that most of you don’t own an iPad. (At the moment, I’m with you.) But that makes me doubly hopeful that what we get in music software design in general is […]