REAPER v3: From MIDI to Automation to Guitar Hero Control, the Alt DAW Improves

Welcome to the alt-DAW scene. Last week, not only did Renoise continue its rebirth of the forgotten “tracker” genre of music making software with ReWire support, but we saw a big new version of REAPER, the beloved lightweight audio production tool from the original creator of Winamp. What makes an “alt DAW”, or “indie” production […]

Tangible Interfaces: Beat Sequencing with Beer Bottle Caps

Digital technology has made music oddly invisible, virtualized somewhere inside a screen – but it also allows music to be mapped more literally to the physical world than ever before. Some of these experiments may even be silly, but they suggest a lot of possibilities. From Poland, BeatMachine is a project that sequences beats in […]

Multitouch VJ App Uses Microsoft Surface, Reactable-Style Nodal Interface

Microsoft Research have added live, collaborative visuals to their bag of tricks for the Microsoft Surface multitouch table. Of course, in the process, they’re really demonstrating not only what you might to with Surface but with multitouch interfaces in general. In fact, it’s particularly odd that Microsoft hasn’t apparently made the connection with more generally-available […]

Mash-Up Video Inside Ableton with a MIDI-Controlled Plug-in

Live-triggered video inside your music host is about to get a lot more popular. Daniel “Herb” Herbert writes to let us know that his Mabuse Software, an “experimental audiovisual software company,” has developed a new AV plug-in for mashing up video. It’s a VST plug-in based on the now-defunct Pluggo, with a Max for Live […]

Pirating a Fundraising Album for an Italian Quake – Really?

Ligabue, one of the contributing artists, live in Berlin. Photo (CC) Matthias Muehlbradt. Sure, many issues around intellectual property are gray. But contributor Jo Ardalan has a disturbing story: what happens when a fundraising album gets pirated? Did illegal file sharing users know what they were doing — is there a need for a donation […]

Inspiration: John Whitney’s 1972 Matrix III, Elegant Early Visuals

As visualists, the sad truth is we have a poorer sense of the history of our medium than musicians. Part of this is simply a lack of access. YouTube is a weak substitute, but it’s a start. In that spirit, Karl (Format K) sends us the minimal geometric machinations of pioneering electronic graphics artist and […]

Inspiration: John Whitney’s 1972 Matrix III, Elegant Early Visuals

As visualists, the sad truth is we have a poorer sense of the history of our medium than musicians. Part of this is simply a lack of access. YouTube is a weak substitute, but it’s a start. In that spirit, Karl (Format K) sends us the minimal geometric machinations of pioneering electronic graphics artist and […]

Gooooooal! A Soccer Ball Music Controller, and Tangible Interface Tips for Music

Free software, a webcam, and some stickers printed on an inkjet can turn any object into a real-world controller. That’s what Paul Rose of Institut Fatima and his team did with a soccer ball (translation for the civilized world: football). The software is powered by the same framework used for the reacTable, but in this […]

Free Tangible Tracking: reacTIVision 1.4 Here, TUIO2 Coming Soon

reacTIVision is able to work thanks to these alien-looking markers called “fluidicials.” Karsten Schmidt aka toxi has developed software for creating more of these markers, and it generates characters like this “teddy bear” seen here. Computer vision for tracking movement is cool. But add the ability to track actual objects, and you can extend the […]

Renoise 2.1, Now with Mac-PC ReWire, Plus JACK on Linux, Live Performance Tools

Renoise has already earned a passionate following among lovers of trackers. The once-forgotten alternative to conventional sequencers, these music editors were beloved for their quick workflow and vertical, atomic approach to assembling beats and patterns. But Renoise is increasingly poised to appeal to other kinds of music makers, too, not just tracker purists. 2.1 you […]