If you want to hear more about the eMusic saga from the company itself, they’ve started a new blog called 17 dots. (For more, see their defense to Ars Technica. Their argument remains simple: people want to pay less for music. Sales are declining; eMusic is the cure. Hypebot has some terrific coverage of the […]

New York’s Other Music is a landmark, brick-and-mortar store filled with independent and even experimental music. Now it’s getting a new lease on life online — and that’s part of a trend could change the scene for music consumers. Photo by fluzo aka Manual Bartual. Listen to the mainstream press, and the story goes something […]

Cassette-tape DJ battles are just one of TradeMark G.’s retro, regressive, subversive musical creations. He also likes to put on glasses, a white lab coat, and interactive sewing thimble gloves, in order to produce illegal, copyright-crushing musical performances. Many of the techno-gimmicks seen here on CDM are one-offs and prototypes. The Evolution Control Committee, by […]

We’ve seen DJ parties with iPods and now handheld remote controls for DJ software. But what about building mixing features into the portable player itself? That’s the idea of the Pacemaker, a new portable player promised for Fall. Pacemaker site (Warning: auto-plays music) Tonium, the mysterious manufacturers’ site DJ features and mixing are internal to […]

Whether you’re an avid Live user or wonder how it works from a performance perspective, CDM reader Fabio FZero has managed to express in simple terms a basic binary split (originally in comments): Ableton Live: Draggers vs. Set-freaks … between those who drag-and-drop on the fly in their sets, and those who configure everything in […]

Lately, I’ve been looking for ways to embrace creative and technological restrictions, to dial back all the high-tech choices possible in making motion. When a DV cam died, it seemed the perfect opportunity to examine a still camera as a means of generating footage. I picked up my Sony DSC-W1, a basic but decent 5 […]

I got to run a feature yesterday on Create Digital Music with tips for getting good gigs, written by musician and Chicago electronica scenester Liz “Quantazelle.” That story has in turn generated a lot of discussion on CDM and elsewhere. This raises an interesting question, though: how much of this advice applies to visualists and, […]

Laptop performance gigs: MOMUS displays one (atypical) way to present your live performance persona. We forgot the “Find a way to keep your face warm” tip. Photo by Tamara Weikel, taken in a Chelsea (NY?) gallery. Getting good gigs is a challenge for all genres, and it touches even more issues when computers are involved. […]

A Casio in Iraq Ok, not technically a synth, but check this out. It’s a Casio AT-40 with Arabic labels spotted in Iraq of all places. Via Daniel: “A casio AT-40 with arabic lettering that I spotted in Hewler/Arbil in northern Iraq in december last year. I should have bought it!” Yeah he should have. […]