From Yogyakarta, Indonesia comes a glitchy, powerful delay effect unlike any other. It’s a stompbox with an earthquake setting. And it’s a special collaboration – between Yogya’s engineer of sound and mayhem Andreas Siagian aka squaresolid and instrument builder and musician Wukir Suryadi of the band Senyawa.

It’s spring, it’s Superbooth – modular is in the air this May. So you’ve got your modular, and you’re an Ableton Live user – now’s a great time to revisit how to use the two together effectively.

At the beginning of May, The MIDI Association quietly announced MPE 1.1. What’s new? Absolutely nothing. It’s the same spec. So why the new version number? They listened to your questions, issues, and feedback, and made the whole document easier to read, understand, and implement. And that might be better than any new feature.

They’re smaller and cheaper than the Boutique series and first-gen AIRA, they’re battery-powered, and they pack a surprising amount of functionality and hands-on control. Roland has a new compact platform for the AIRA, and they look cute and fun.

Syntakt, launched today, promises to be something special – all the kinds of stuff you love about Elektron boxes, with new capabilities and a fresh approach.

Imagine a no-install, browser-based, free tool that lets you express musical ideas elegantly by typing simple code. Or for those in the know – It’s Tidal Cycles in the browser. Meet Strudel.

Sample Science has a tasty freebie for us – Retro Cazio models the 1983 Casio Casiotone MT-100, for a very, very 80s drum kit, keys, and other instruments. Let’s revisit that source instrument.

People are starving; now is the time when dismantling imperialism and supporting family is vital. So let’s turn our ears again to the poignant sounds of the Iranian “underbelly” – and enter the ultraverse.

Soundtoys has announced full support for its complete suite of effects on Apple Silicon. So let’s use that as an excuse to go over some favorite tools here, as I’ve been … just rinsing these things again on projects.

Feedback networks, unstable oscillators, shaky fat quivering filters, distorted mayhem, a bunch of labels in Japanese, a bunch of switches and knobs and a tape recorder – Bentō is a delight of software madness. It’s a delicious meal of noise.