London’s Rough Trade Records shop is an anchor for the independent music scene in the UK. And they have an online presence, too — a good way to support your favorite label in the wake up what for many smaller outlets could be a devastating loss. Photo (CC-BY) Radio Saigón. The first rule of giving […]
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It Comes in Colors: An RGB Grid Controller from Livid, RGB Grid Roundup
Lovers of the grid for music control now get to reenact the scene in MGM’s The Wizard of Oz, stepping out of the world of black and white into one of color. The OhmRGB, the latest controller from Austin, Texas-based controller and custom hardware shop Livid Instruments, adds multicolor LEDs behind its array of controls. […]
Read more →Playing 3D Geometries Like Instruments: V-Module for Ableton + Max for Live
Improvising with 3D geometries as though they’re an instrument, Amsterdam-based artist Fabrizio Poce has harnessed Max for Live to play with generative visuals in real-time in a music environment. You can see the work he’s doing, or try assembling your own chains of visuals with his free Max for Live device V-Module. He explains to […]
Read more →Track Master Makes Your Trackpad a MIDI Controller; A Must-Download for Mac
You’ve heard all the complaints about laptops onstage. But since there are many arguments for a laptop, why not put all that powerful hardware to use, and make your Mac laptop part of a musically-expressive performance? Track Master, a Mac-only application available on the Mac App Store (and one of the few serious music offerings […]
Read more →Running Live Visuals for The Glitch Mob: An All-Access Pass Behind the Scenes
The Glitch Mob is one of the hot summer tickets for electronic music, and they’re fortunate enough to stage a massive live visual spectacle alongside the show. This week’s a perfect time to consider all that visual goodness, with the release of their latest original music, “We Can Make the World Stop” on EP. So […]
Read more →From Granular to Free Hadron Particle Synth; Plug-in, Max for Live, and Csound (Plus, Music!)
If you aren’t quite ready to delve into the mysteries of granular synthesis and code, a colorful interface guides you through playing in Ableton Live. Granular synthesis… you’ve heard it before. Famously articulated by experimental composer Xenakis, the process of slicing up sound into tiny bits and reassembling it has produced everything from lovely (or […]
Read more →Future Shock: The Emergence of Detroit Techno, Told by Wax Poetics
Derrick May in the Michigan Theatre parking garage, 1988. Photos by Bart Everly. Reproduced courtesy Wax Poetics. In the words of Yogi Berra, the future ain’t what it used to be. Drawing from futurist philosophy and the machine aesthetic of bands like Kraftwerk, the moment at which techno comes into the world is a seminal […]
Read more →Create Analog Music: Buchla Love, Visiting the Studio of a Custom Modular Maker
All photos by Marsha Vdovin for CDM. Click for full-sized, gear pr0n versions. Print large-format, hang above your bed. CDM guest and photographer Marsha Vdovin joins us for a photo essay. Given free reign to choose what she wanted to do, she visits a Buchla module maker. Photos can speak volumes, and here the beauty […]
Read more →Reflecting on Design and Music Software for Tablets; NXNE Toronto Talk
Pictured: Loopseque, in final form (top) and sketched on paper (bottom). Images courtesy the developers; visit them on Flickr. Saturday afternoon in Toronto, I’m giving a talk to the North by Northeast festival on music software and tablets. I’ll explain a bit about what tablets are about, and some of the software that’s out there […]
Read more →Teaser: Gestural Tablet Control for Video Sequences, Scratching, Sound
Berlin- and Budapest-based artist pixel noizz sends us “Get Control,” original software that turns tablets into visual instruments, chopping, scratching, and reassembling visuals and sound in live performance. That’s all we know at this point, but the video is already worth a watch – some promising stuff, and likely to be one of many experiments […]
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