You’ve seen the demos. You like the idea of tracking tags in the real world to create visuals. And now you want to try augmented reality for yourself – and, incidentally, you’re a Flash developer. Reader Eric Socolofsky writes to share a framework he’s created that makes it much easier to work with the Flash-based, […]
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Korg DS-10 Plus Coming, with Beefed-Up Features for Nintendo DSi
Fans of the Nintendo DS may have been immune to the siren song of Nintendo’s tweaked DSi model. Unfortunately, I have a feeling a bunch of you are about to upgrade your handheld game system. Why? Because the folks at AQ Interactive are doing an upgraded version of the DS-10 software synth for the game […]
Read more →Multitouch Evolution: Free PyMT Framework, in Action
Puddle of Life – Darwin Exhibit from Tiago Serra on Vimeo. Here’s a really elegantly-designed multi-touch table. It uses two really key pieces of open source technology: the Community Core Vision (“CCV”) tracker, formerly known as tbeta, and a lovely framework for coding visuals called PyMT. PyMT, as the name implies, is a Python-based framework. […]
Read more →Ableton Live 8: Group Clips with Track Groups
If you’re using Ableton Live 8, you’ve hopefully already discovered the joys of Track Groups. Track grouping is a welcome feature in any DAW, but in Live, the mixer-centric Session View can easily get unruly with endless columns of vertical tracks. I wanted to share some discoveries about Track Groups, including what I thought was […]
Read more →Into the Woods: Wolfgang Voigt’s GAS, an Audiovisual Black Forest at MUTEK
All this week, I’ll be talking about the artists and events at Montreal’s MUTEK audiovisual festival. There’s nowhere better to begin than at the launch evening of their a/visions series. Natural landscapes are recurrent themes in electronic music and the metaphors we use to describe them – glaciers and jetstreams. But the Black Forest of […]
Read more →Renoise 2.1, Now with Mac-PC ReWire, Plus JACK on Linux, Live Performance Tools
Renoise has already earned a passionate following among lovers of trackers. The once-forgotten alternative to conventional sequencers, these music editors were beloved for their quick workflow and vertical, atomic approach to assembling beats and patterns. But Renoise is increasingly poised to appeal to other kinds of music makers, too, not just tracker purists. 2.1 you […]
Read more →Building-Sized Visualism, on 1085 Windows, and More OpenFrameworks in Upcoming Events
lights on from thesystemis on Vimeo. Digital visuals are often confined to a screen or a panel of wall. So there’s something magical about projects that get an entire building as a canvas. “Lights” is a live audiovisual performance for the Ars Electronica museum in Linz, Austria. The facade has some 1085 LED windows, controllable […]
Read more →From Vixid.Noisepages: Flamingo Crash Live/Studio Music Video for Sister Sister
For one of the final Game On performances, Melbourne’s “spiky electro pop” group Flamingo Crash came along and rocked out in front of a bunch of security cameras, and alongside their visual collaborator Simulcast with his Tagtool. They enjoyed the live footage so much that they commissioned me to edit it as an “offical” music […]
Read more →Resolume Posts Tutorial on Controlling Avenue with Ableton Live, More Live Resources
Part of what makes Resolume Avenue so compelling as a live visual solution is that it can mix, mash, and loop audio alongside video, in ways often resembling Ableton Live. But that, of course, doesn’t make Resolume nearly as deep a live sonic tool as Ableton. So, to combine two great tastes – live video […]
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