It’s time for a census of CDM readers. But we can give back to you for your time – some prizes, and more investment in the site. Photo of 1940 US Census, CC-BY-ND United States Department of Agriculture; Library of Congress, LC-USZ62-91199. Take a very short survey, and you’ll be entered to win some six […]

Owing to a tradition that goes back to the first samplers and hip-hop pioneers, sampling and digital performance have become a kind of instrumental technique. You might play well, you might play poorly, but even working with samples, you can actually play. You can look at the simple design of the monome as the hardware […]

The beauty of physical, human motion is that just about anything kinetic, any gesture can work. If you were left only with motion in your toes, you could play a live set. And whereas these gestures were once tied to specific acoustic instrumental effects, in the digital realm, they can be anything. We’ve seen the […]

New ideas and invention are wonderful things – so long as you don’t have any illusions about cost and payoff, that is. So, with that cheeky headline, here’s Roger Linn. He writes us: I thought you might get a kick out of this and maybe some of your DIY readers might find it useful. Occasionally […]

Music notation is powerful because it’s a standard. You can share it between musicians and understand what it means. What if, instead of being confined to individual, platform-specific apps, digital controls for music were the same way? We’re not just talking a MIDI message here or there, either – someone could walk in with some […]

Electronic music is a gateway drug to electronic visuals for many the computer artist. Sound or pixel, everything is a number to the computer. So it stands to reason that Ableton Live, the ubiquitous live laptop music performance tool, would inspire interest in similar techniques for triggering visuals. Our friend Rucyl of the wonderful Saturn […]

Natty Narwhal is the next release of Ubuntu. Now you could give it a soundtrack. Photo (CC-BY-ND) Ricardo Bernardo of, admittedly, vintage Ubuntu. Your OS is there, in front of you, daily – some of us for many, many hours a day. it often makes sounds at you, very rarely welcome sounds. Here’s an opportunity […]

This afternoon, I feel obligated to offer some explanation. Following my post about Julien Bayle’s LFO Everything module for Ableton Live, several readers and a forum thread on the Ableton Live forum raised concerns that a portion of Julien’s Device was adapted from another developer’s work without attribution. Heated discussion on the Live forum spilled […]

The most valuable tech is tech that lasts. And so, combining MIDI (I love the 80s!) with the iPad can make it useful as part of a “studio” setup, not just a replacement for other gear. Here’s the iPad step sequencing our MeeBlip open source synth – no need to give up knobs and tangible […]

Can minimalist controller design make even two knobs into a digital instrument? We’ll soon see. The arc, the new controller from monome designer Brian Crabtree, contains just two high-resolution encoders (known to us in everyday usage as “knobs”). It makes no sound; every minute rotation and a push-button action are telegraphed to a computer. Everything […]